http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Machine generated contents note: I -- Mining the Paradox / Eeva-Liisa Pelkonen -- Out of Site/In Plain View: On the Origins and Actuality of the Architecture Exhibition / Barry Bergdoll -- II -- Exhibition as Medium -- Out of Place: Circulating Monuments / Mari Lending -- Exhibitions, Objects, and the Emergence of Modernism in Germany / Wallis Miller -- Campo Urbano, Como, 1969 / Romy Golan -- Immersive Environments -- Exhibitions Against Architecture: the Trigon Biennale in 1967 and 1969 / Paula Burleigh -- Between Image and Apparatus: Structures Gonflables, April 1968 / Craig Buckley -- E.A.T. in Osaka, 1970: Transducing Technology / Mark Wasiuta -- Public Encounters -- Theo Crosby's Environment Games, 1956 -- 1973 / Simon Sadler -- The Contested Subject: The Greater Number at the 1968 XIV Triennale of Milano / Federica Vannucchi -- Towards Paper Architecture: Tallinn and Moscow / Andres Kurg -- Curatorial Acts -- Demonstrations as a Curatorial Practice: The Exhibition Scene at Moderna Museet from She to ARARAT, 1966 -- 1976 / Helena Mattson -- Hans Hollein as "Everythingizer," Hans Hollein as Curator / Liane Lefaivre -- Exhibiting Ideologies: Architecture at the Venice Biennale, 1968 -- 1980 / Lea-Catherine Szacka -- "We fight the battle with the drawings on the walls": Exhibiting Architecture at the Architectural Association / Irene Sunwoo -- III -- Dialogues -- Contemporary Exhibitions in Dialogue / Philippe Rahm -- Exhibitions Matter / Henry Urbach -- IV.
edited by Eeva-liisa Pelkonen with Carson Chan and David Andrew Tasman.
Proceedings of the eponymous symposium held at the Yale School of Architecture, October 3-5, 2013.