http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Τομ. 32(3) : Introduction -- Identifying some platitudes with regard to the plethoric text / Howard Barker -- BLOK/EKO: Synopsis / Howard Barker -- The Brilliance of the Servant without qualities: Bare life and the horde offstage / Daniel Sack -- The art music of theatre: Howard Barker as sound designer / Adrian Curtin -- Chasing the ellipses: Staging Howard Barker's The Forty (Few Words) / David Ian Rabey -- Crowd or chorus? Howard Barker's mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century / Jens Peters -- Reading Barker with Lacan: Twenty asides on Woman, the One and the Real / Alex Mangold -- From plethora to bare sufficiency / Mick Mangan -- Poetry and intensification in Howard Barker's theatre of plethora / Karoline Gritzner -- Contra mortem, petimus scientiam: Pain, tragedy, death and medicine in BLOK/EKO / Sarah Goldingay -- Charles V / Howard Barker --
Τομ. 33(2) : The living statue: Performer, poseur, posthuman / Andy Lavender -- Exploring radical openness: A porous model for relational festival performance / Alice O'grady -- Brilliant theatre-making at the National: Devising, collective creation and the director's brand / Alex Mermikides -- ‘History Repeating Itself?’: Text and image, theatre and performance: Howard Brenton and David Edgar's appropriation of the historical drama / John Bull -- Eighteenth-century Brechtians Joel Schechter -- Dancing in translation: Irina Brook's mise en scène of Danser à Lughnasa, Jean-Marie Besset's translation of Brian Friel's Dancing at Lughnasa / Anna McMullan -- Have you ever considered a career in total revolution? Drama and the corporate reform of UK higher education / Roy Connolly -- Theatre topics : Bastard or Playmate : adapting theatre, mutating media and contemporary performing arts, Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere (eds)(2012) / Mark Crossley -- Archeologies of Presence : art, performance and the persistence of being, Gabriella Giannachi, Nick Kaye and Michael Shanks (eds)(2012) / Hammah Cummings -- The censorship of British Drama, vol.3 - The Fifties, Steve Nicholson (2011) / Anne Etienne -- Resetting the stage : public theatre between the market and democracy, Dragan Klaic (2012) / Sam Haddow -- Composed theatre - aesthetics, practices, processes, Matthias Rebstock and David Resner (eds)(2012) / Pamela Karantonis -- The Vakhtangov Sourcebook, Andrei Malaev-Babel(ed.)(2011) / Konstantinos Thomaidis -- Performing otherness : Java and Bali on international stages, 1905-1952, Matthew Isaac Cohen (2010) / Jane Turner --
Τομ. 34(1) : A Passion play at Ally Pally / Tony Coult -- Staging sexuality in an all-male adaptation of Romeo and Juliet / Yilin Chen -- Scenographic landscapes / David Shearing -- Treason, wit and scurrility: Fielding’s Cibber letters / Joel Schechter -- Arthur Miller and the New York state of being / Aysha Viswamohan -- Noticing things we take for granted / Peter Thomson -- Creating community theatre for social change / Jennifer McKenna -- The plays of Peter Oswald: new writing at Shakespeare’s Globe 1998–2005 / Catriona Fallow -- Theatre and performance in small nations / Robson Jack -- Gavin Bolton’s contextual drama: the road less travelled / Kenneth Bamuturaki -- The greatest shows on Earth: world theatre from Peter Brook to the Sydney Olympics / Marilena Zaroulia -- Religion, theatre, and performance: acts of faith / Sarah Goldingay -- Contemporary mise en scène: staging theatre today / Christopher Baugh -- Heritage, nostalgia and modern British theatre: staging the Victorians / Sarah Grochala -- The chamber of demonstrations: reconstructing the Jacobean playhouse / Nora Williams --