rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: David Greig's Holed Theatre
    sub title: Globalization, Ethics and the Spectator
  name:
    name part: Rodríguez, Verónica.
    role:
      role term: creator
    role:
      role term: author.
    role:
      role term: aut
    role:
      role term: http://id.loc.gov/vocabulary/relators/aut
  name:
    name part: SpringerLink (Online service)
  type of resource: text
  origin info:
    place:
      place term: gw
    date issued: 2019
    edition: 1st ed. 2019.
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: electronic
    form: electronic resource
    reformatting quality: access
    form: remote
    extent: XVIII, 283 p. 1 illus. online resource.
  abstract: With a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig's work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig's theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig's engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig's works' politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig's most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig's theatre's world-forming quality.
  table of contents: 1. Introduction: A Shamanic Semionaut -- 2. Holed Theatre as Response to Globalization -- 3. From Ethics to the Politics of Aesthethics -- 4. Affect and the Holed Spectator: Ecology of Transfers -- 5. Europe: Globalization's Inferiors -- 6. The Architect: Blowing Up Architectures of Power -- 7. The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union: "All this Fucking Beautiful Stuff" -- 8. San Diego: Stitching up the Globe -- 9. The American Pilot: A Precarious Restoration to 'the Real' -- 10. Damascus: Trouma -- 11. Fragile: Sharing Doing and Spatial Transcorporeality -- 12. The Events: Confounding Spacecraft - Here -- 13. Conclusion: World-Forming Theatre.
  note: by Verónica Rodríguez.
  subject:
    topic: Theater
  subject:
    topic: Performing arts
  subject:
    topic: Ethics
  subject:
    topic: Contemporary Theatre
  subject:
    topic: Performing Arts
  subject:
    topic: Ethics
  classification: PN2000-3307
  classification: 792
  related item:
    title info:
      title: Springer eBooks
  identifier: 9783030061821
  identifier: https://doi.org/10.1007/978-3-030-06182-1
  record info:
    record creation date: 190209
    record change date: 20190716141941.0
    record identifier: 978-3-030-06182-1