rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Hanguk Hip Hop
    sub title: Global Rap in South Korea
  name:
    name part: Song, Myoung-Sun.
    role:
      role term: creator
    role:
      role term: author.
    role:
      role term: aut
    role:
      role term: http://id.loc.gov/vocabulary/relators/aut
  name:
    name part: SpringerLink (Online service)
  type of resource: text
  origin info:
    place:
      place term: gw
    date issued: 2019
    edition: 1st ed. 2019.
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: electronic
    form: electronic resource
    reformatting quality: access
    form: remote
    extent: IX, 198 p. 1 illus. online resource.
  abstract: How has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges. Throughout the chapters, Korean hip hop is examined through the notion of buran-personal and societal anxiety and uncertainty-and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that the genre continuously evolves within the conditions of Korean society. Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture.
  table of contents: 1. We All Made Us: Historicizing Hanguk Hip Hop -- 2. Made in Korea: Authenticity in Hanguk Hip Hop -- 3. From Hongdae to Sinchon: Space and Place in Korean Hip Hop -- 4. 2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea -- 5. Idol Rapper: K-Pop and the Production of Authenticity -- 6. Unpretty Rapstar: Gender and Representation in Korean Hip Hop -- 7. We All Made History: Globalizing Hanguk Hip Hop.
  note: by Myoung-Sun Song.
  subject:
    topic: Ethnology-Asia
  subject:
    topic: Music
  subject:
    topic: Popular Culture
  subject:
    topic: Culture
  subject:
    topic: Asian Culture
  subject:
    topic: Music
  subject:
    topic: Popular Culture
  subject:
    topic: Global/International Culture
  classification: GN625-635
  classification: 306.095
  related item:
    title info:
      title: Springer eBooks
  related item:
    title info:
      title: East Asian Popular Culture
  identifier: 9783030156978
  identifier: https://doi.org/10.1007/978-3-030-15697-8
  record info:
    record creation date: 190425
    record change date: 20191024051319.0
    record identifier: 978-3-030-15697-8