rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Conceiving Virtuality: From Art To Technology
  name:
    name part: Braga, Joaquim.
    role:
      role term: editor.
    role:
      role term: edt
    role:
      role term: http://id.loc.gov/vocabulary/relators/edt
  name:
    name part: SpringerLink (Online service)
  type of resource: text
  origin info:
    place:
      place term: gw
    date issued: 2019
    edition: 1st ed. 2019.
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: electronic
    form: electronic resource
    reformatting quality: access
    form: remote
    extent: X, 210 p. 4 illus., 1 illus. in color. online resource.
  abstract: This book provides new theoretical approaches to the subject of virtuality. All chapters reflect the importance of extending the analysis of the concept of "the virtual" to areas of knowledge that, until today, have not been fully included in its philosophical foundations. The respective chapters share new insights on art, media, psychic systems and technology, while also presenting new ways of articulating the concept of the virtual with regard to the main premises of Western thought. Given its thematic scope, this book is intended not only for a philosophical audience, but also for all scientists who have turned to the humanities in search of answers to their questions.
  table of contents: Chapter 1. Virtuality Beyond Reproduction Ontological Remarks -- Chapter 2. Phenomenology and the Challenge of Virtuality -- Chapter 3. Personality, Dissociation and Organic-Psychic Latency in Pierre Janet's Account of Hysterical Symptoms -- Chapter 4. Sonic Virtuality, Environment, and Presence -- Chapter 5. Imagination and Virtuality On Susanne Langer's Theory of Artistic Forms -- Chapter 6. The Virtual as Precondition for Artistic Creation -- Chapter 7. The Virtuality of Cinema: Beyond the Documentary-Fiction Divide with Peter Watkins and Mark Rappaport -- Chapter 8. Digital Fabrication and its Meanings for Photography and Film -- Chapter 9. The Reality of the Virtual in Deleuze's Transcendental Empiricism -- Chapter 10. The Scope of the Virtual in the Treatment of Melancholia -- Chapter 11. The End of the Virtual? A Hermeneutical Approach to Digitality -- Chapter 12. Utopia, Ideology, and Philosophy.
  note: edited by Joaquim Braga.
  subject:
    topic: Philosophy
  subject:
    topic: Arts
  subject:
    topic: Digital media
  subject:
    topic: Philosophy of Technology
  subject:
    topic: Arts
  subject:
    topic: Digital/New Media
  classification: B53
  classification: 601
  related item:
    title info:
      title: Springer eBooks
  related item:
    title info:
      title: Numanities - Arts and Humanities in Progress, 11
  identifier: 9783030247515
  identifier: https://doi.org/10.1007/978-3-030-24751-5
  record info:
    record creation date: 190905
    record change date: 20190905080818.0
    record identifier: 978-3-030-24751-5