rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Audience Engagement in the Performing Arts
    sub title: A Critical Analysis
  name:
    name part: Walmsley, Ben.
    role:
      role term: creator
    role:
      role term: author.
    role:
      role term: aut
    role:
      role term: http://id.loc.gov/vocabulary/relators/aut
  name:
    name part: SpringerLink (Online service)
  type of resource: text
  origin info:
    place:
      place term: gw
    date issued: 2019
    edition: 1st ed. 2019.
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: electronic
    form: electronic resource
    reformatting quality: access
    form: remote
    extent: XI, 248 p. 10 illus., 7 illus. in color. online resource.
  abstract: This book explores the concept of audience engagement from a number of complementary perspectives, including cultural value, arts marketing and co-creation. It offers a critical review of the existing literature on audience research and an overview of established and emerging methodologies deployed to undertake research with audiences. The book draws from a rich diversity of academic fields to make the case for a radically interdisciplinary approach to audience research. The book's underlying thesis is that at the heart of audience research there is a mutual exchange of value wherein audiences ideally play the role of strategic partners in the mission fulfilment of arts organisations. Illustrating how audiences have traditionally been side-lined, homogenised and vilified, it contends that the future paradigm of audience studies should be based on an engagement model, wherein audiences take their rightful place as subjects rather than objects of empirical research.
  table of contents: Chapter 1 -- Introduction.-Chapter 2 -- Understanding audiences: a critical review of audience research.-Chapter 3 -- Deconstructing audiences' experiences.-Chapter 4 -- Capturing, interpreting and evaluating cultural value.-Chapter 5 -- Research (with) audiences.-Chapter 6 -- From consumption to enrichment: the long slow death of arts marketing.-Chapter 7 -- Co-creating art, meaning and value.-Chapter 8 -- Engaging audiences through digital technologies.-Chapter 9 -- Conclusions and implications.
  note: by Ben Walmsley.
  subject:
    topic: Performing arts
  subject:
    topic: Culture-Study and teaching
  subject:
    topic: Arts
  subject:
    topic: Communication
  subject:
    topic: Art education
  subject:
    topic: Cultural heritage
  subject:
    topic: Performing Arts
  subject:
    topic: Cultural Theory
  subject:
    topic: Arts
  subject:
    topic: Media Studies
  subject:
    topic: Creativity and Arts Education
  subject:
    topic: Cultural Heritage
  classification: PN1560-1590
  classification: 790
  related item:
    title info:
      title: Springer eBooks
  related item:
    title info:
      title: New Directions in Cultural Policy Research
  identifier: 9783030266530
  identifier: https://doi.org/10.1007/978-3-030-26653-0
  record info:
    record creation date: 190911
    record change date: 20191025102420.0
    record identifier: 978-3-030-26653-0