rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    title: Hip Hop, Hegel, and the Art of Emancipation
    sub title: Let's Get Free
  name:
    name part: Vernon, Jim.
    role:
      role term: creator
    role:
      role term: author.
    role:
      role term: aut
    role:
      role term: http://id.loc.gov/vocabulary/relators/aut
  name:
    name part: SpringerLink (Online service)
  type of resource: text
  origin info:
    place:
      place term: gw
    date issued: 2018
    edition: 1st ed. 2018.
    issuance: monographic
  language:
    language term: eng
  physical description:
    form: electronic
    form: electronic resource
    reformatting quality: access
    form: remote
    extent: VII, 259 p. online resource.
  abstract: This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel's philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel's Aesthetics, as well as providing a philosophical explanation of the Hip Hop community's transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other. .
  table of contents: Chapter 1: Introduction -- Chapter 2: The South Bronx, or the 'State of Nature' -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion.
  note: by Jim Vernon.
  subject:
    topic: Aesthetics
  subject:
    topic: Popular Culture
  subject:
    topic: Philosophy and social sciences
  subject:
    topic: Continental Philosophy
  subject:
    topic: Political philosophy
  subject:
    topic: Aesthetics
  subject:
    topic: Popular Culture
  subject:
    topic: Philosophy of the Social Sciences
  subject:
    topic: Continental Philosophy
  subject:
    topic: Political Philosophy
  classification: BH1-301
  classification: 111.85
  related item:
    title info:
      title: Springer eBooks
  identifier: 9783319913049
  identifier: https://doi.org/10.1007/978-3-319-91304-9
  record info:
    record creation date: 180704
    record change date: 20191027051029.0
    record identifier: 978-3-319-91304-9