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oapen-20.500.12657-237742024-03-22T19:23:07Z Global Animation Theory Bruckner, Franziska Gilić, Nikica Lang, Holger Šuljić, Daniel Turković, Hrvoje Media & Communications thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFV Animated films and animation Global Animation Theory offers detailed and diverse insights into the methodologies of contemporary animation studies, as well as the topics relevant for today’s study of animation. The contact between practical and theoretical approaches to animation at Animafest Scanner, is closely connected to host of this event, the World Festival of Animated Film Animafest Zagreb. It has given way to academic writing that is very open to practical aspects of animation, with several contributors being established not only as animation scholars, but also as artists. This anthology presents, alongside an introduction by the editors and a preface by well known animation scholar Giannalberto Bendazzi, 15 selected essays from the first three Animafest Scanner editions. They explore various significant aspects of animation studies, some of them still unknown to the English speaking communities. 2019-11-15 23:55 2020-03-14 03:00:36 2020-04-01T09:28:48Z 2020-04-01T09:28:48Z 2019 book 1006369 OCN: 1126193765 9781501337130 http://library.oapen.org/handle/20.500.12657/23774 eng application/pdf application/epub+zip Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International 9781501337154.pdf 9781501337147.epub Bloomsbury Academic 10.5040/9781501337161 102502 10.5040/9781501337161 066d8288-86e4-4745-ad2c-4fa54a6b9b7b b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9781501337130 Knowledge Unlatched (KU) New York 102502 KU Select 2018: HSS Frontlist Books Knowledge Unlatched open access
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Global Animation Theory offers detailed and diverse insights into the methodologies of contemporary animation studies, as well as the topics relevant for today’s study of animation. The contact between practical and theoretical approaches to animation at Animafest Scanner, is closely connected to host of this event, the World Festival of Animated Film Animafest Zagreb. It has given way to academic writing that is very open to practical aspects of animation, with several contributors being established not only as animation scholars, but also as artists. This anthology presents, alongside an introduction by the editors and a preface by well known animation scholar Giannalberto Bendazzi, 15 selected essays from the first three Animafest Scanner editions. They explore various significant aspects of animation studies, some of them still unknown to the English speaking communities.
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