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oapen-20.500.12657-338912023-07-24T13:26:22Z Geschichte der venezianischen Malerei, Band 3 Brucher, Günter Giorgione Sebastiano del Piombo Titian Palma il Vecchio Catena Venice Renaissance-Painting Gestalt theory analysis of the works criticism of style iconography Giorgionismo colour research Giorgione Sebastiano del Piombo Tizian Palma il Vecchio Catena Venedig Renaissance-Malerei Gestalttheorie Werkanalysen Stilkritik Ikonographie Giorgionismo Koloritforschung Porträt bic Book Industry Communication::A The arts Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory. Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten. 2013-12-31 23:55:55 2020-02-04 11:47:35 2020-04-01T14:59:46Z 2020-04-01T14:59:46Z 2013 book 446788 OCN: 982228332 9783205788898 http://library.oapen.org/handle/20.500.12657/33891 ger application/pdf 446788.pdf Böhlau 10.26530/oapen_446788 Es gibt kaum einen anderen italienischen Maler, der die kunstgeschichtliche Forschung so entzweit hat wie Giorgione. Die Ursachen dieser Uneinigkeit beruhen auf einer dürftigen Quellenlage sowie auf dem Umstand, dass nur wenige Werke des Künstlers als gesichert gelten. 10.26530/oapen_446788 Brill 26ae1657-c58f-4f1d-a392-585ee75c293e 9783205788898 Austrian Science Fund (FWF) Böhlau 402 Wien; München PUB 72 Austrian Science Fund Fonds zur Förderung der Wissenschaftlichen Forschung open access
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Giorgione remains the central figure in the scientific discussion dealing with Venetian painting of the age, and accordingly the amount of literature on him is exuberant. The state of scientific discussion which harks back well into the 19th century, proves to be very heterogeneous, a selection of statements proves to be inapt as to serve as a basis for a further critical discussion. The outcome of all this is a general dissent, caused by the poor state of sources and the comparatively small number of secured works. In consequence, we are confronted with a constant struggle of attributions, increasing and decreasing in number, and a host of dates, often contradictory.
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