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oapen-20.500.12657-550282022-06-01T03:08:14Z Il "trompe-l'œil" letterario, ovvero il sorriso ironico nell'opera di Wilhelm Hauff Acciaioli, Stefania bic Book Industry Communication::C Language::CF linguistics bic Book Industry Communication::C Language::CF linguistics::CFP Translation & interpretation bic Book Industry Communication::D Literature & literary studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism Literary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary Befreiungskrieg, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul. 2022-05-31T10:19:39Z 2022-05-31T10:19:39Z 2012 book ONIX_20220531_9788866552253_312 2612-8020 9788866552253 9788866552246 9788892735590 https://library.oapen.org/handle/20.500.12657/55028 ita Premio Tesi di Dottorato application/pdf n/a 9788866552253.pdf https://books.fupress.com/isbn/9788866552253 Firenze University Press 10.36253/978-88-6655-225-3 Literary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary Befreiungskrieg, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul. 10.36253/978-88-6655-225-3 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788866552253 9788866552246 9788892735590 24 278 Firenze open access
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Literary trompe-l'oeil intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his Märchen for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary Befreiungskrieg, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul.
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