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oapen-20.500.12657-553542022-06-01T03:27:12Z La double séance LANDI, Michela bic Book Industry Communication::D Literature & literary studies If the play, our device, had no other function than to project, "at some elevation", certain lacks of which we would hardly be aware, there can only be in the Letters, according to Mallarmé, a single essential act: to question the relationships that this device maintains with some internal state of ourselves. We believe, with the author of La Musique et les Lettres, that it is through the play of their often rival relationships that the arts can be understood and make us understand. This game, which never stops urging us, constantly asks us for new instruments for its implementation - or its staging. 2022-05-31T10:27:28Z 2022-05-31T10:27:28Z 2017 book ONIX_20220531_9788864536651_638 2420-8361 9788864536651 9788892731356 https://library.oapen.org/handle/20.500.12657/55354 fre Biblioteca di Studi di Filologia Moderna application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9788864536651.pdf https://books.fupress.com/isbn/9788864536651 Firenze University Press 10.36253/978-88-6453-665-1 If the play, our device, had no other function than to project, "at some elevation", certain lacks of which we would hardly be aware, there can only be in the Letters, according to Mallarmé, a single essential act: to question the relationships that this device maintains with some internal state of ourselves. We believe, with the author of La Musique et les Lettres, that it is through the play of their often rival relationships that the arts can be understood and make us understand. This game, which never stops urging us, constantly asks us for new instruments for its implementation - or its staging. 10.36253/978-88-6453-665-1 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864536651 9788892731356 39 374 Florence open access
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If the play, our device, had no other function than to project, "at some elevation", certain lacks of which we would hardly be aware, there can only be in the Letters, according to Mallarmé, a single essential act: to question the relationships that this device maintains with some internal state of ourselves. We believe, with the author of La Musique et les Lettres, that it is through the play of their often rival relationships that the arts can be understood and make us understand. This game, which never stops urging us, constantly asks us for new instruments for its implementation - or its staging.
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