| spelling |
oapen-20.500.12657-554432022-06-01T03:33:47Z Lettere e Rime Matraini, Chiara Acucella, Cristina bic Book Industry Communication::C Language::CF linguistics bic Book Industry Communication::D Literature & literary studies bic Book Industry Communication::D Literature & literary studies::DS Literature: history & criticism The commentary of Lettere e rime which Chiara Matraini (1515-1604) published in Venice with the editor Moretti in 1597, when she was 82, intends to provide an organic analysis of the composition, of the relationship between the genres, of the modalities of the “imitatio” and of the philosophical, social and cultural substrate acting as a background in her last chansonnier. The study also focuses on her stylistic changes over a period of forty years (1555-1597), from the adherence to Petrarch and Bembo’s canon to the end-of-the-century Mannerism, as well as on the counter-reformist twist characterizing a parallel writing of philosophical and devotional nature, which can be seen here between the lines. The investigation also takes the liber of Lettere e rime as a deliberately organic and structured whole in the meeting between the letters and the poems. By virtue of its ‘marginality’ as well, this shows a complex work, emerging together with the many afterthoughts which animated the long, almost century-long, life of the author from Lucca. 2022-05-31T10:30:08Z 2022-05-31T10:30:08Z 2018 book ONIX_20220531_9788864538174_727 2705-0297 9788864538174 9788864538167 9788892730779 https://library.oapen.org/handle/20.500.12657/55443 ita Premio Ricerca «Città di Firenze» application/pdf Attribution 4.0 International 9788864538174.pdf https://books.fupress.com/isbn/9788864538174 Firenze University Press 10.36253/978-88-6453-817-4 The commentary of Lettere e rime which Chiara Matraini (1515-1604) published in Venice with the editor Moretti in 1597, when she was 82, intends to provide an organic analysis of the composition, of the relationship between the genres, of the modalities of the “imitatio” and of the philosophical, social and cultural substrate acting as a background in her last chansonnier. The study also focuses on her stylistic changes over a period of forty years (1555-1597), from the adherence to Petrarch and Bembo’s canon to the end-of-the-century Mannerism, as well as on the counter-reformist twist characterizing a parallel writing of philosophical and devotional nature, which can be seen here between the lines. The investigation also takes the liber of Lettere e rime as a deliberately organic and structured whole in the meeting between the letters and the poems. By virtue of its ‘marginality’ as well, this shows a complex work, emerging together with the many afterthoughts which animated the long, almost century-long, life of the author from Lucca. 10.36253/978-88-6453-817-4 bf65d21a-78e5-4ba2-983a-dbfa90962870 9788864538174 9788864538167 9788892730779 64 554 Florence open access
|
| description |
The commentary of Lettere e rime which Chiara Matraini (1515-1604) published in Venice with the editor Moretti in 1597, when she was 82, intends to provide an organic analysis of the composition, of the relationship between the genres, of the modalities of the “imitatio” and of the philosophical, social and cultural substrate acting as a background in her last chansonnier. The study also focuses on her stylistic changes over a period of forty years (1555-1597), from the adherence to Petrarch and Bembo’s canon to the end-of-the-century Mannerism, as well as on the counter-reformist twist characterizing a parallel writing of philosophical and devotional nature, which can be seen here between the lines. The investigation also takes the liber of Lettere e rime as a deliberately organic and structured whole in the meeting between the letters and the poems. By virtue of its ‘marginality’ as well, this shows a complex work, emerging together with the many afterthoughts which animated the long, almost century-long, life of the author from Lucca.
|
