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oapen-20.500.12657-571682022-07-01T09:12:24Z Theatre Institutions in Crisis Balme, Christopher Fisher, Tony Culture, 1989 bic Book Industry Communication::A The arts::AN Theatre studies bic Book Industry Communication::J Society & social sciences::JP Politics & government bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPB Comparative politics bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPQ Central government::JPQB Central government policies Theatre Institutions in Crisis examines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received. Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies. This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks. 2022-07-01T09:06:11Z 2022-07-01T09:06:11Z 2021 book 9780367266103 9780367676667 9780429294167 https://library.oapen.org/handle/20.500.12657/57168 eng Taylor & Francis Routledge 10.4324/9780429294167 10.4324/9780429294167 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 8cadaf63-f448-4cdd-b1d4-759119f6601d 9780367266103 9780367676667 9780429294167 Routledge open access
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Theatre Institutions in Crisis examines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received. Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies. This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks.
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