Digital performance a history of new media in theater, dance, performance art, and installation

"The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations,...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριοι συγγραφείς: Dixon, Steve (Συγγραφέας), Smith, Barry (Συγγραφέας)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Cambridge, Mass.; London MIT Press c2007
Σειρά:Leonardo
Θέματα:
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245 1 0 |a Digital performance  |b a history of new media in theater, dance, performance art, and installation  |c Steve Dixon; with contributions by Barry Smith 
260 |a Cambridge, Mass.;  |a London  |b MIT Press  |c c2007 
300 |a xv, 809 σ.  |b ill.  |c 24 cm. 
490 1 |a Leonardo 
504 |a Includes bibliography (p.[737]-776) and index 
504 |a Περιέχει βιβλιογραφία (σ. [737]-776) και ευρετήριο  
505 0 |a Introduction -- I: HISTORIES: The genealogy of digital performance -- Futurism and the early Twentieth-Century avand-garde -- Multimedia theater, 1911-1959 -- Performance and technology since 1960 -- II: THEORIES AND CONTEXTS: Liveness -- Postmodernism and Posthumanism -- The digital revolution -- Digital dancing and software developments -- III: THE BODY: Virtual bodies -- The digital double -- Robots -- Cyborgs -- IV: SPACE: Digital theater and scenic spectacle -- Virtual beauty: the search for immersion -- Liquid architectures and site-specific fractures in reality -- Telematics; conjoining remote performance spaces -- Webcams: the subversion of surveillance -- Online performance: "LIve" from cyberspace -- "Theater" in cyberspace -- V: TIME: Time -- Memory -- VI: INTERACTIVITY: "Performing" interactivity -- Videogames -- CD-ROMs -- Conclusion. 
520 |a "The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art."--ΠΕΡΙΓΡΑΦΗ ΕΞΩΦΥΛΛΟΥ. 
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