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02296nam a2200313 u 4500 |
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10118739 |
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upatras |
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|a 792.0233092
|2 22
|
245 |
1 |
0 |
|a Peter Brook and the Mahabharata
|b critical perspectives
|c ; edited by David Williams.
|
260 |
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|a London
|b Routledge
|c 1991
|
300 |
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|a xiii, 337 p.
|b ill.
|c 24 cm.
|
504 |
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|a Includes bibliographical references (p. 312-322) and index.
|
505 |
0 |
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|a Theatre of innocence and of experience: Peter Brook's international centre - an introduction -- A narrative synopsis of the Mahabharata -- The presence of India: an introduction -- The language of stories -- Theatre, popular and special, and the perils of cultural piracy -- What is not in the Mahabharata is nowhere -- The bridge of sand -- Fluidity and openness -- Sensitivity and listening -- Musical bricolage -- Malleability and visibility -- Energy and the ensemble: actors' perspectives -- The great poem of the world: a descriptive analysis -- The great Indian epic and Peter Brook -- Interaction-interpretation: the Mahabharata from a socio-cultural perspective -- A view from India -- Something more volcanic -- Peter Brook's 'orientalism' -- Brook's six days: theatre as the meeting place between the visible and the invisible -- Mahabharata production details -- The world tour: logistics and economics.
|
600 |
1 |
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|a Brook, Peter,
|d 1925-
|9 1570
|
600 |
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|9 76630
|a Carriere, Jean Claude
|d 1931-
|
700 |
1 |
|
|a Williams, David
|d 1957-
|4 edt
|9 148269
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