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|a American drama /
|c edited by Clive Bloom.
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| 260 |
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|a London :
|b Macmillan,
|c 1995.
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| 300 |
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|a x, 196 σ. ;
|c 23 εκ.
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| 490 |
1 |
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|a Insights
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| 504 |
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|a Περιλαμβάνει βιβλιογραφικές παραπομπές και ευρετήριο.
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|a Introduction / Clive Bloom -- Susan Glaspell / Barbara Ozieblo -- Eugene O'Neill / Eric Mottram -- Clifford Odets / Michael Woolf -- Tennessee Williams / Mark Lilly -- Arthur Miller /Chris Banfield -- Imamu Amiri Baraka / A. Robert Lee -- Neil Simon / Michael Woolf -- Sam Shepard / Michael J. Hayes -- Marsha Norman / Darryll Grantley -- David Mamet / Edward J. Esche -- Contemporary Feminist Theatre / Charlotte Canning.
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| 520 |
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|a Influenced by Ibsen and Strindberg, American drama had its origins in small theatre companies and groups of semi-professional players in the early 1900s, whose commitment was to inspire such writers as Eugene O'Neill, Susan Glaspell, Imamu Amiri Baraka, Arthur Miller and Tennessee Williams. Born into this century, American drama has acted both as a reflection and as a commentary on the dominance, power and sometimes corruption of the American democratic dream.
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|a Today, American theatre still challenges its audiences with a powerful voice unknown to television and commercial film, bringing to the fore issues of gender, colour and political oppression. This collection of specially written essays offers a comprehensive introduction to the subject for students wishing to familiarise themselves with this exciting field, and those already involved with the current debate in the area will welcome the broad approach adopted by this volume.
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| 650 |
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|a Αμερικανικό δράμα
|y 20ός αιώνας
|x Ιστορία και κριτική
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| 700 |
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|a Bloom, Clive.
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