A history of African American theatre /
"This is the first definitive history of African American theatre. The text embraces a wide geography investigating companies touring Europe, Australia, and Africa. This history represents a catholicity of styles - from African ritual born out of slavery to European forms, from amateur to profe...
Κύριος συγγραφέας: | |
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Άλλοι συγγραφείς: | |
Μορφή: | Βιβλίο |
Γλώσσα: | English |
Έκδοση: |
New York :
Cambridge University Press,
c2003.
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Σειρά: | Cambridge studies in American theatre and drama.
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Θέματα: | |
Διαθέσιμο Online: | Publisher description Table of contents |
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010 | |a 2002034991 | ||
020 | |a 0521624436 |q (hbk) | ||
040 | |a DLC |b gre |c DLC |d OrLoB-B |d GR-PaULI |e AACR2 | ||
041 | 0 | |a eng | |
082 | 0 | 4 | |a 812.098 960 73 |2 23 |
100 | 1 | |a Hill, Errol. |9 156912 |e συγγραφέας | |
245 | 1 | 2 | |a A history of African American theatre / |c Errol G. Hill and James V. Hatch. |
260 | |a New York : |b Cambridge University Press, |c c2003. | ||
300 | |a xxiv, 608 σ. : |b εικ. ; |c 24 εκ. | ||
490 | 1 | |a Cambridge studies in American theatre and drama | |
504 | |a Περιλαμβάνει βιβλιογραφία και ευρετήριο. | ||
505 | 0 | |a Foreward / Lloyd G. Richards -- Slavery and conquest: background to black theatre -- The African theatre to Uncle Tom's Cabin -- The Civil War to The Creole Show -- American minstrelsy in black and white -- New vistas: plays, spectacles, musicals, and opera -- The struggle continues -- The Harlem Renaissance -- Educational theatre -- The Caribbean connection -- The Great Depression and federal theatre -- Creeping toward integration -- From Hansberry to Shange -- The millennium -- App.: theatre scholarship 2002. | |
520 | 1 | |a "This is the first definitive history of African American theatre. The text embraces a wide geography investigating companies touring Europe, Australia, and Africa. This history represents a catholicity of styles - from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and a half centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals, and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are productions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, are conveyed in this volume."--BOOK JACKET. | |
650 | 0 | 4 | |a Αφροαμερικάνικο θέατρο |9 38047 |
650 | 0 | 4 | |a Αμερικανικό δράμα |x Ιστορία και κριτική |9 101613 |
700 | 1 | |a Hatch, James V. |q (James Vernon), |d 1928- |e συγγραφέας |9 156917 | |
830 | 0 | |a Cambridge studies in American theatre and drama. |9 156919 | |
856 | 4 | 2 | |3 Publisher description |u http://www.loc.gov/catdir/description/cam031/2002034991.html |
856 | 4 | 1 | |3 Table of contents |u http://www.loc.gov/catdir/toc/cam031/2002034991.html |
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