A history of African American theatre /

"This is the first definitive history of African American theatre. The text embraces a wide geography investigating companies touring Europe, Australia, and Africa. This history represents a catholicity of styles - from African ritual born out of slavery to European forms, from amateur to profe...

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Bibliographic Details
Main Author: Hill, Errol (συγγραφέας)
Other Authors: Hatch, James V. (James Vernon), 1928- (συγγραφέας)
Format: Book
Language:English
Published: New York : Cambridge University Press, c2003.
Series:Cambridge studies in American theatre and drama.
Subjects:
Online Access:Publisher description
Table of contents
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041 0 |a eng 
082 0 4 |a 812.098 960 73  |2 23 
100 1 |a Hill, Errol.  |9 156912  |e συγγραφέας 
245 1 2 |a A history of African American theatre /  |c Errol G. Hill and James V. Hatch. 
260 |a New York :  |b Cambridge University Press,  |c c2003. 
300 |a xxiv, 608 σ. :  |b εικ. ;  |c 24 εκ. 
490 1 |a Cambridge studies in American theatre and drama 
504 |a Περιλαμβάνει βιβλιογραφία και ευρετήριο. 
505 0 |a Foreward / Lloyd G. Richards -- Slavery and conquest: background to black theatre -- The African theatre to Uncle Tom's Cabin -- The Civil War to The Creole Show -- American minstrelsy in black and white -- New vistas: plays, spectacles, musicals, and opera -- The struggle continues -- The Harlem Renaissance -- Educational theatre -- The Caribbean connection -- The Great Depression and federal theatre -- Creeping toward integration -- From Hansberry to Shange -- The millennium -- App.: theatre scholarship 2002. 
520 1 |a "This is the first definitive history of African American theatre. The text embraces a wide geography investigating companies touring Europe, Australia, and Africa. This history represents a catholicity of styles - from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and a half centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals, and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are productions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, are conveyed in this volume."--BOOK JACKET. 
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700 1 |a Hatch, James V.  |q (James Vernon),  |d 1928-  |e συγγραφέας  |9 156917 
830 0 |a Cambridge studies in American theatre and drama.  |9 156919 
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