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03739aam a22003137i 4500 |
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1501833 |
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20210117210228.0 |
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930429s1994 us a f b 001 0 eng d |
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|a 93001959
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020 |
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|a 1557530424
|q (cloth)
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|a 1557530866
|q (pbk)
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040 |
|
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|a DLC
|b gre
|c DLC
|d DLC
|d NNC
|d GR-PaULI
|e AACR2
|
082 |
0 |
4 |
|a 862
|2 23
|
245 |
0 |
4 |
|a The Golden Age comedia :
|b text, theory, and performance /
|c edited by Charles Ganelin and Howard Mancing.
|
260 |
|
|
|a West Lafayette, Indiana :
|b Purdue University Press,
|c 1994.
|
300 |
|
|
|a ix, 422 σ. :
|b εικ. ;
|c 23 εκ.
|
504 |
|
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|a Περιλαμβάνει βιβλιογραφία και ευρετήριο.
|
505 |
0 |
|
|a Introduction / Charles Ganelin and Howard Mancing -- History, Tragedy, and the Ballad Tradition in El caballero de Olmedo / Dian Fox -- Theatrical Consciousness and Redemption / Susan Niehoff McCrary -- Rivalry and Violence in Lope's El castigo sin venganza / Matthew D. Stroud -- Reconstructing Tisbea / Constance Rose -- Balthasar's Doom: Letters That Heal/Kill in Claramonte's El secreto en la mujer / Frederick A. de Armas -- The Diverse Economy of Entre bobos anda el juego / William R. Blue -- The (Self)Representation of Control in La dama duende / Margaret Rich Greer -- Transcending Genre: Calderon's El santo rey don Fernando / Daniel L. Heiple -- Official Genesis and Political Subversion of El mayor encanto amor / Susana Hernandez Araico -- The "Grammar" of Calderonian Honor: The Finezas of Fineza contra fineza / Thomas Austin O'Connor -- Maria de Zayas's (Un)Conventional Play, La traicion en la amistad / Teresa S. Soufas -- Who Was Francisco de Villegas? / Michael McGaha.
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505 |
0 |
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|a Lope's Bastardo Mudarra as Scenario and Opera Tragicomica / Nancy L. D'Antuono -- Metatheater and the Comedia: Past, Present, and Future / Catherine Larson -- Law, Desire, and the Double Plot: Toward a Psychoanalytic Poetics of the Comedia / Henry W. Sullivan -- Partial Perspectives on Kinds, Canons, and the Culture Question / James A. Parr -- Cervantes and His Audience: Aspects of Reception Theory in El retablo de las maravillas / Dawn L. Smith -- Prolegomena to the "Popular" in Early Modern Public Theater: Contesting Power in Lope and Shakespeare / Catherine Connor (Swietlicki) -- Reading and Writing in the Comedia / Emilie L. Bergmann -- On the Nature of Refundiciones of Spain's Classical Theater in the Seventeenth Century / Carol Bingham Kirby -- Reception as Deception: The Fate of Mira de Amescua's Theater / Amy R. Williamsen -- The Feminine Adjuvant: Toward a Semiotics of Calderonian Plot Dynamics / Sharon Dahlgren Voros.
|
505 |
0 |
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|a New Evidence on the Leasing of Seating Accommodation in the Madrid Corrales, 1651-55 / J. E. Varey and Charles Davis -- Typology of Staging in Lope de Vega's Theater / Teresa J. Kirschner -- Text and Spectacle of Alarcon's El examen de maridos: From Comedia to Farce / Louise Fothergill-Payne -- The Study of Versification as an Aid to Interpreting the Comedia: Another Look at Some Well-Known Plays by Lope de Vega / Victor Dixon.
|
650 |
|
4 |
|a Ισπανικό δράμα
|y 1500-1700
|x Ιστορία και κριτική
|9 80139
|
650 |
|
4 |
|a Θέατρο
|z Ισπανία
|x History
|y 16ος αιώνας
|9 26592
|
650 |
|
4 |
|a Θέατρο
|z Ισπανία
|x History
|y 17ος αιώνας
|9 26580
|
700 |
1 |
|
|a Ganelin, Charles.
|9 157804
|e επιμελητής
|
700 |
1 |
|
|a Mancing, Howard,
|d 1941-
|9 157805
|e επιμελητής
|
942 |
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952 |
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|0 0
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|a THST
|b THST
|d 2016-10-25
|i 014234
|l 1
|o 862 GOL
|p 025000138392
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|s 2024-06-03
|t 1
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999 |
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