Uncertain histories : accumulation, inaccessibility, and doubt in contemporary photography /

"The compulsion to dwell on history--on how it is recorded, stored, saved, forgotten, narrated, lost, remembered, and made public--has been at the heart of artists' engagement with the photographic medium since the late 1960s. Uncertain Histories considers some of that work, ranging from i...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Albers, Kate Palmer (συγγραφέας.)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Oakland, California : University of California Press, [2015]
Θέματα:
LEADER 02933nam a22002777a 4500
003 GR-PaULI
005 20210117210558.0
008 180306s2014 caua|||f |||| 00| 0 eng d
020 |a 9780520285279 
040 |a GR-PaULI  |b gre  |c GR-PaULI 
082 0 4 |a 770  |2 23 
100 |9 167612  |a Albers, Kate Palmer  |e συγγραφέας. 
245 1 0 |a Uncertain histories :  |b accumulation, inaccessibility, and doubt in contemporary photography /  |c Kate Palmer Albers. 
260 |a Oakland, California :  |b University of California Press,  |c [2015] 
300 |a ix, 213 σ. :  |b εικ. ;  |c 26 εκ. 
504 |a Περιλαμβάνει βιβλιογραφικές αναφορές και ευρετήριο. 
505 |a Introduction -- Cultivating uncertainty -- Displacements : Gerhard Richter's Atlas -- "Around this nucleus a large empty space" : Dinh Q. Lê's Mot coi di ve -- Historical reconstruction and doubt : Christian Boltanski's Les Archives de C.B. 1965-1988 -- After the fact : Joel Sternfeld's On this site -- The performative landscape : Ken Gonzales-Day's Hang trees -- Conclusion. 
520 |a "The compulsion to dwell on history--on how it is recorded, stored, saved, forgotten, narrated, lost, remembered, and made public--has been at the heart of artists' engagement with the photographic medium since the late 1960s. Uncertain Histories considers some of that work, ranging from installations that incorporate vast numbers of personal and vernacular photographs by Christian Boltanski, Dinh Q. Lê, and Gerhard Richter to confrontations with absence in the work of Joel Sternfeld and Ken Gonzales-Day. Projects such as these revolve around a photographic paradox that hinges equally on knowing and not knowing, on definitive proof coupled with uncertainty, on abundance of imagery being met squarely with its own inadequacy. Photography is seen as a fundamentally ambiguous medium that can be evocative of the historical past while at the same time limited in the stories it can convey. Rather than proclaiming definitively what photography is, the work discussed here posits photographs as objects always held in suspension, perpetually oscillating in their ability to tell history. Yet this ultimately leads to a new kind of knowledge production: uncertainty is not a dead end but a generative space for the viewer's engagement with the construction of history"--Provided by publisher. 
650 0 |9 92778  |a Φωτογραφία  |x Κριτική 
650 0 |9 102973  |a Φωτογραφία, Καλλιτεχνική  |z 20ός αι. 
650 0 |9 102974  |a Φωτογραφία, Καλλιτεχνική  |z 21ος αι. 
650 0 |9 6179  |a Τέχνη  |x Ιστορία 
942 |2 ddc  |c BK15 
952 |0 0  |1 0  |2 ddc  |4 0  |6 770_000000000000000_ALB  |7 0  |9 220434  |a ARCH  |b ARCH  |c BSC  |d 2018-03-06  |i 011066  |l 0  |o 770 ALB  |p 025000203851  |r 2018-03-06 00:00:00  |t 1  |v 2018.00  |w 2018-03-06  |y BK15 
998 |c ΚΗΠΟΥΡΓΟΥ  |d 2018-03 
999 |c 133246  |d 133246