The robot in the garden : telerobotics and telepistemology in the age of the Internet /
"The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots,...
Άλλοι συγγραφείς: | |
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Μορφή: | Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
Cambridge, Mass. :
MIT Press,
�2000.
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Σειρά: | Leonardo (Series) (Cambridge, Mass.)
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Θέματα: | |
Διαθέσιμο Online: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=39856 |
Πίνακας περιεχομένων:
- Introduction: The Unique Phenomenon of a Distance / Ken Goldberg
- Eden by Wire: Webcameras and the Telepresent Landscape / Thomas J. Campanella
- Philosophy
- Telepistemology: Descartes's Last Stand / Hubert Dreyfus
- Vicariousness and Authenticity / Catherine Wilson
- Information, Nearness, and Farness / Albert Borgmann
- Acting at a Distance and Knowing from Afar: Agency and Knowledge on the Internet / Jeff Malpas
- Telerobotic Knowledge: A Reliabilist Approach / Alvin Goldman
- Art, History, and Critical Theory
- The Speed of Light and the Virtualization of Reality / Martin Jay
- To Lie and to Act: Potemkin's Villages, Cinema, and Telepresence / Lev Manovich
- Dialogical Telepresence and Net Ecology / Eduardo Kac
- Presence, Absence, and Knowledge in Telerobotic Art / Machiko Kusahara
- Exposure Time, the Aura, and Telerobotics / Marina Grzinic
- The History of Telepresence: Automata, Illusion, and the Rejection of the Body / Oliver Grau
- Engineering, Interface, and System Design
- Feeling Is Believing: A History of Telerobotics / Blake Hannaford
- Tele-Embodiment and Shattered Presence: Reconstructing the Body for Online Interaction / John Canny, Eric Paulos
- Being Real: Questions of Tele-Identity / Judith Donath
- Telepistemology, Mediation, and the Design of Transparent Interfaces / Michael Idinopulos
- The Film and the New Psychology (1945) / Maurice Merleau-Ponty.