Contemporary Greek film cultures from 1990 to the present /

This collection of new writing on contemporary Greek cinema explores key trends over the past 25 years, including documentary and avant-garde filmmaking, art house and popular cinema. The book seeks to highlight the continuities, mutual influences and common contexts that inform, shape and inspire...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Άλλοι συγγραφείς: Kazakopoulou, Tonia (επιμελήτρια), Fotiou, Mikela (επιμελήτρια)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Oxford : Peter Lang, 2017.
Σειρά:New studies in European cinema, vol. 21
Θέματα:
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245 0 0 |a Contemporary Greek film cultures from 1990 to the present /  |c edited by Tonia Kazakopoulou and Mikela Fotiou. 
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490 0 |a New studies in European cinema,  |x 1661-0261 ;  |v vol. 21 
504 |6 Περιλαμβάνει βιβλιογραφία και ευρετήριο. 
505 |a Cover -- Contents -- Figures -- Acknowledgements -- Introduction (Tonia Kazakopoulou) -- Works Cited -- 1 Short Voyages to the Land of Gregarious Animals: On Political Aesthesia in Sto Lyko and Sweetgrass (Ulrich Meurer / Maria Oikonomou) -- The End (One) -- The Land of the People -- Truth -- Displacement Activity -- The Animal: Sidewards/Downwards -- Diagram -- Lass mich in Ruhe meine Schafe weiden -- The End (Two) -- Works Cited -- 2 Constructing the Urban Cinematic Landscape: Theo Angelopoulos's Thessaloniki (Stavros Alifragkis) -- Introduction -- The City of Poetic Contemplation: Thessaloniki in Voyage to Cythera -- The City of Romantic Escapism: Thessaloniki in the Trilogy: The Weeping Meadow -- Angelopoulos's Filmic City: A Composite Landscape -- Hypertopos -- Urban waiting rooms -- Epilogue: The Mythical Landscape of the City -- Acknowledgements -- Works Cited -- 3 The Spatio-Temporality of the Avant-Gardes: Feminist Avant-Garde U-Topoi in Greek Cinema from Transition to Crisis (Rea Walldén) -- Spatio-Temporal Questions Regarding Avant-Garde Art and their Application to Cinema -- The Example of Avant-Garde Cinema in Greece: Two Turning Points -- Feminist Film U-Topoi: Women's Worlds -- Feminist Film U-Topoi: The Temporality of Initiation -- Conclusion -- Works Cited -- 4 This Tongue Is Not my Own: Dogtooth, Phobia and the Paternal Metaphor (Ben Tyrer) -- Home / School / Garden / Prison --  
505 |a Method and Madness -- Psychosis, Perversion, Neurosis -- Phobia -- The Mythic Function -- Castle Doctrine -- Les vidéos volées -- Bruce, in her Unbearable Splendour -- Schrödinger's Dog -- Dogtongue -- Works Cited -- 5 Family, Gender and the Emotional Economy in Tsemberopoulos's The Enemy Within (Angie Voela) -- Introduction -- Fathers and Family Values -- Louisa's Silence -- Pity, Sympathy and Beyond -- Works Cited -- 6 In the Name of the Father: Rituals of Gender and Democracy in Olga Malea's First Time Godfather (Tonia Kazakopoulou) -- Figures of Speech -- Eat, Praise, Vote -- It's all Greek to Alex -- In Their Own Terms: Modernizing Discourses -- Works Cited -- 7 No Country for Old Faggots: Exploring Queer Utopias in Panos Koutras's Strella (Marios Psaras) -- Works Cited -- 8 A Touch of Spice: Postmodern Identities and the Construction of the Other through Film Music (Nick Poulakis) -- Works Cited -- 9 The Albanian in the Room: Revisiting Greek Hospitality in From the Snow and Plato's Academy (Philip Phillis) -- Into the Era of Migration and Transnational Cinema -- Imagined Community, Imagined Fatherland: Repatriation of the Ethnic Greek Community in From the Snow -- You Will Never Become a Greek: Reinforcing Eurocentrism in Plato's Academy -- Conclusion -- Works Cited -- 10 'White Ethnicity' and the Challenge of Independent Greek Films to Greek Stereotypes in the Global Imaginary (Taso G. Lagos) -- Branding and the Global Imaginary -- The Tribulations of White Ethnicity -- Challenging Greek Stereotypes and White Ethnicity -- Is Greece Becoming Less 'White Ethnic'? -- Works Cited -- 11 Marketing Communications in the Greek Film Industry: Rethinking Contemporary Greek Cinema (Afroditi Nikolaidou) -- Introduction: Film Marketing from a Film History Perspective -- Greek Film Marketing within Greek Film Studies --  
505 |a End of an Era: 'Eventizing' the Release -- Safe Sex: Branding as a Theme -- From Communication Practices to Strategic Communication: The Post-2008 Years -- Love in the End: From Product Placement to Crowdsourcing -- The Eternal Return of Antonis Paraskevas: Transmediating the Narrative -- Conclusion -- Works Cited -- 12 The 'New Greek Cinema' before the 'Greek New Wave': The Case of The Only Journey of his Life (Erato Basea) -- Introduction -- The Only Journey of his Life as a Film Adaptation and a Literary Biopic -- A 'Literary' Film Adaptation -- From the Death of the Author to the Confirmation of the National Auteur -- The Confirmation of the 'New Greek Cinema' before the 'Greek New Wave' -- Conclusions -- Acknowledgements -- Works Cited -- 13 Nikolaidis's Diptych Those Who Loved a Corpse: A 'Pasticcio of Pastiches' (Mikela Fotiou) -- Singapore Sling: The Man Who Loved a Corpse -- See You in Hell, My Darling: A Necroromance -- Conclusion -- Note -- Works Cited -- 14 The Ethics of Heterogeneity and Experimentation: Teaching Film Direction in the Film School at the Aristotle University of Thessaloniki (Antoinetta Angelidi with Rea Walldén) -- The First University Film School in Greece -- Filmmaking Poetics from Learning to Teaching and Back: A Life-Path -- The Multiple Meanings of Heterogeneity and Experimentation -- Film Direction Modules and Student Films: Experiments and Polyphony -- Conclusions for Apprentice Wizards -- Works Cited -- Legal and administrative texts -- Notes on Contributors -- Index . 
520 |a  This collection of new writing on contemporary Greek cinema explores key trends over the past 25 years, including documentary and avant-garde filmmaking, art house and popular cinema. The book seeks to highlight the continuities, mutual influences and common contexts that inform, shape and inspire filmmaking in Greece today.. 
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