Contemporary Greek film cultures from 1990 to the present /
This collection of new writing on contemporary Greek cinema explores key trends over the past 25 years, including documentary and avant-garde filmmaking, art house and popular cinema. The book seeks to highlight the continuities, mutual influences and common contexts that inform, shape and inspire...
| Άλλοι συγγραφείς: | , |
|---|---|
| Μορφή: | Βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
Oxford :
Peter Lang,
2017.
|
| Σειρά: | New studies in European cinema,
vol. 21 |
| Θέματα: |
Πίνακας περιεχομένων:
- Cover
- Contents
- Figures
- Acknowledgements
- Introduction (Tonia Kazakopoulou)
- Works Cited
- 1 Short Voyages to the Land of Gregarious Animals: On Political Aesthesia in Sto Lyko and Sweetgrass (Ulrich Meurer / Maria Oikonomou)
- The End (One)
- The Land of the People
- Truth
- Displacement Activity
- The Animal: Sidewards/Downwards
- Diagram
- Lass mich in Ruhe meine Schafe weiden
- The End (Two)
- Works Cited
- 2 Constructing the Urban Cinematic Landscape: Theo Angelopoulos's Thessaloniki (Stavros Alifragkis)
- Introduction
- The City of Poetic Contemplation: Thessaloniki in Voyage to Cythera
- The City of Romantic Escapism: Thessaloniki in the Trilogy: The Weeping Meadow
- Angelopoulos's Filmic City: A Composite Landscape
- Hypertopos
- Urban waiting rooms
- Epilogue: The Mythical Landscape of the City
- Acknowledgements
- Works Cited
- 3 The Spatio-Temporality of the Avant-Gardes: Feminist Avant-Garde U-Topoi in Greek Cinema from Transition to Crisis (Rea Walldén)
- Spatio-Temporal Questions Regarding Avant-Garde Art and their Application to Cinema
- The Example of Avant-Garde Cinema in Greece: Two Turning Points
- Feminist Film U-Topoi: Women's Worlds
- Feminist Film U-Topoi: The Temporality of Initiation
- Conclusion
- Works Cited
- 4 This Tongue Is Not my Own: Dogtooth, Phobia and the Paternal Metaphor (Ben Tyrer)
- Home / School / Garden / Prison
- Method and Madness
- Psychosis, Perversion, Neurosis
- Phobia
- The Mythic Function
- Castle Doctrine
- Les vidéos volées
- Bruce, in her Unbearable Splendour
- Schrödinger's Dog
- Dogtongue
- Works Cited
- 5 Family, Gender and the Emotional Economy in Tsemberopoulos's The Enemy Within (Angie Voela)
- Introduction
- Fathers and Family Values
- Louisa's Silence
- Pity, Sympathy and Beyond
- Works Cited
- 6 In the Name of the Father: Rituals of Gender and Democracy in Olga Malea's First Time Godfather (Tonia Kazakopoulou)
- Figures of Speech
- Eat, Praise, Vote
- It's all Greek to Alex
- In Their Own Terms: Modernizing Discourses
- Works Cited
- 7 No Country for Old Faggots: Exploring Queer Utopias in Panos Koutras's Strella (Marios Psaras)
- Works Cited
- 8 A Touch of Spice: Postmodern Identities and the Construction of the Other through Film Music (Nick Poulakis)
- Works Cited
- 9 The Albanian in the Room: Revisiting Greek Hospitality in From the Snow and Plato's Academy (Philip Phillis)
- Into the Era of Migration and Transnational Cinema
- Imagined Community, Imagined Fatherland: Repatriation of the Ethnic Greek Community in From the Snow
- You Will Never Become a Greek: Reinforcing Eurocentrism in Plato's Academy
- Conclusion
- Works Cited
- 10 'White Ethnicity' and the Challenge of Independent Greek Films to Greek Stereotypes in the Global Imaginary (Taso G. Lagos)
- Branding and the Global Imaginary
- The Tribulations of White Ethnicity
- Challenging Greek Stereotypes and White Ethnicity
- Is Greece Becoming Less 'White Ethnic'?
- Works Cited
- 11 Marketing Communications in the Greek Film Industry: Rethinking Contemporary Greek Cinema (Afroditi Nikolaidou)
- Introduction: Film Marketing from a Film History Perspective
- Greek Film Marketing within Greek Film Studies
- End of an Era: 'Eventizing' the Release
- Safe Sex: Branding as a Theme
- From Communication Practices to Strategic Communication: The Post-2008 Years
- Love in the End: From Product Placement to Crowdsourcing
- The Eternal Return of Antonis Paraskevas: Transmediating the Narrative
- Conclusion
- Works Cited
- 12 The 'New Greek Cinema' before the 'Greek New Wave': The Case of The Only Journey of his Life (Erato Basea)
- Introduction
- The Only Journey of his Life as a Film Adaptation and a Literary Biopic
- A 'Literary' Film Adaptation
- From the Death of the Author to the Confirmation of the National Auteur
- The Confirmation of the 'New Greek Cinema' before the 'Greek New Wave'
- Conclusions
- Acknowledgements
- Works Cited
- 13 Nikolaidis's Diptych Those Who Loved a Corpse: A 'Pasticcio of Pastiches' (Mikela Fotiou)
- Singapore Sling: The Man Who Loved a Corpse
- See You in Hell, My Darling: A Necroromance
- Conclusion
- Note
- Works Cited
- 14 The Ethics of Heterogeneity and Experimentation: Teaching Film Direction in the Film School at the Aristotle University of Thessaloniki (Antoinetta Angelidi with Rea Walldén)
- The First University Film School in Greece
- Filmmaking Poetics from Learning to Teaching and Back: A Life-Path
- The Multiple Meanings of Heterogeneity and Experimentation
- Film Direction Modules and Student Films: Experiments and Polyphony
- Conclusions for Apprentice Wizards
- Works Cited
- Legal and administrative texts
- Notes on Contributors
- Index .
