Builders, housewives and the construction of modern Athens /

Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. Builders, Housewives and the Construction of Modern Athens questions this stereotype, reassessing the explosive growth of postwar Athens through its most distinctive building type: th...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Θεοχαροπούλου, Ιωάννα (συγγραφέας.)
Άλλοι συγγραφείς: Theocharopoulou, Ioanna (συγγραφέας.), Frampton, Kenneth, 1930- (συγγραφέας προλόγου.)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Athens : Onassis Foundation, 2017
Θέματα:
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245 1 0 |a Builders, housewives and the construction of modern Athens /   |c Ioanna Theocharopoulou ; foreword by Keneth Frampton.  
260 |a Athens :   |b Onassis Foundation,   |c 2017 
300 |a 191 σ. :  |b εικ., σχέδ. ;  |c 25 εκ. 
504 |a Περιλαμβάνει ευρετήριο. 
505 0 |a Preface / Afroditi Panagiotakou, Foreword / Kenneth Frampton, Inside Out / The City, the State and Domestic Life, Chapter 1 : Urbanism and Domesticity Identity, Language and Architecture, Chapter 2 : The Old Athenian Houses Histories and Memories, Preservation and Repression, Chapter 3 : Before the Athens Charter Modernism Travels to Greece, Chapter 4 : War and Resistance, Chapter 5 : Building the Postwar City Polykatoikia, Metis, Processes and Fictions, Chapter 6 : The Polykatoikia Interior Housewives and Modern Life, Postscript : Cities, Crises and Innovation, Index, Imge Credits, Acknowledments  
520 |a Sprawling beneath the Acropolis, modern Athens is commonly viewed in negative terms: congested, ugly and monotonous. Builders, Housewives and the Construction of Modern Athens questions this stereotype, reassessing the explosive growth of postwar Athens through its most distinctive building type: the polykatoikia (a small-scale multistory apartment block). Theocharopoulou re-evaluates the polykatoikia as a low-tech, easily constructible innovation that stimulates the postwar urban economy, triggering the city's social mid-twentieth-century transformation. The interiors of the polykatoikia apartments reflect a desire for modernity as marketed to housewives through film and magazines. Regular builders became unlikely allies in designing these polykatoikia interiors, enabling inhabitants to exert agency over their daily lives and the shape of the postwar city. Theocharopoulou's reading draws on popular media as well as urban and regional planning theory, cultural studies and anthropology to examine the evolution of this phenomenon and, in light of Greece's recent financial crisis, considers the role polykatoikia might play in building an equitable and sustainable twenty-first-century city.  
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