Oblique drawing : a history of anti-perspective /

For more than half a century, Erwin Panofsky's Perspective as Symbolic Form has dominated studies of visual representation. Despite the hegemony of central projection, or perspective, other equally important methods of representation have much to tell us. Parallel projection can be found on cla...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Scolari, Massimo 1943- (συγγραφέας.)
Άλλοι συγγραφείς: Ackerman, James S. (συγγραφέας προλόγου), Palandri, Jenny Condie (μεταφράστρια.)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: London, England ; Cambridge, MA : MIT Press, [2012]
Σειρά:Writing architecture
Θέματα:
Πίνακας περιεχομένων:
  • 1. Elements For A History of Axonometry
  • 2. Spatial Illusionism in Pompeian Wall Paintings
  • 3. Oblique Drawing
  • 4. The Idea of Model
  • 5. Brunelleschi's Model for the Dome of Santa Maria Del Fiore And the Gherardi Drawing
  • 6. Demonstration Figures
  • 7. Machinations
  • 8. Soldierly Perspective
  • 9. Drawing in Paralleli Modo
  • 10. The Jesuit Perspective In China
  • 11. The Tower of Babel: Form And Representation.