Julius Caesar's self-created image and its dramatic afterlife /

"The first analysis of Julius Caesar's self-representation in his Commentaries, from the point of view of how the themes and characterisation have been appropriated or contested by major dramatic representations"--

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Dimitrova, Miryana (συγγραφέας)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: London : Bloomsbury, 2018.
Σειρά:Bloomsbury studies in classical reception
Θέματα:
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245 1 0 |a Julius Caesar's self-created image and its dramatic afterlife /  |c Miryana Dimitrova. 
260 |a London :  |b Bloomsbury,  |c 2018. 
300 |a viii, 236 σ. ;  |c 25 εκ. 
490 0 |a Bloomsbury studies in classical reception 
500 |a Βασισμένο στην Δ. διατρική του συγγραφέα --King's College, London, 2013. 
504 |a Περιλαμβάνει βιβλιογραφία και ευρετήριο. 
505 0 |a "I am he": aspects of Caesar's self-representation in the commentaries -- Efficient benevolence, the shadow of hubris and an Eastern infatuation -- "For always I am Caesar": performative actualization of Caesar's self-styled image and illeism as a marker of self-institutionalization -- Transhistorical and quasi-divine: Caesar connecting the threads of time. 
520 |a "The first analysis of Julius Caesar's self-representation in his Commentaries, from the point of view of how the themes and characterisation have been appropriated or contested by major dramatic representations"-- 
600 1 4 |a Καίσαρ, Ιούλιος   |d    |x στη λογοτεχνία  |9 28107 
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