Theory for theatre studies : emotion /
"Emotion explores how emotion is communicated in drama, theatre and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, from Brecht to Caryl Churchill, drama and theatre are revealed to inform but also to warn about the emotions. The term 'emo...
| Κύριος συγγραφέας: | |
|---|---|
| Μορφή: | Βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
London :
Methuen,
2021.
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| Σειρά: | Theory for theatre studies
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| Θέματα: |
Πίνακας περιεχομένων:
- Introduction: Approach and Concepts : The Emotions
- Emotional Feelings
- Affect and its Theory
- Mood
- Cultural Complexities and Empathy
- Section one: Legacies and Case Studies : Aristotle on tragic pity and Euripides' Medea
- Shakespeare's comic lovers: Performing the Passions
- The actor's paradox: eighteenth– and nineteenth-century staging
- Stanislavski's Emotion Memory and realist theatre
- Controversial psychologies in Method Acting
- Brecht's separations: theatre for a scientific age
- Brecht's political emotions: The Caucasian Chalk Circle
- Emotional practice from Forum Theatre to Rasaboxes
- Section two: Affect and Case Studies : Emotional feeling to affect in A Doll's House
- Affect and technology: live art and spectacle
- Real identities and political affect
- Empathy enabled: Empathy Museum to Back to Back
- Suffering in Jane Harrison's Stolen
- Feeling sound and images: Robert Lepages's Needles and Opium and 887
- Section three: Mood and Case Studies : Mysterious aesthetic
- Audience expectations and The Lion King
- Ambience from Socìetas Raffaello Sanzio
- Music functions and Rimini Protokoll's Brain Projects
- Economic mood dis/orders: Alladeen to Dear Evan Hansen
- Immoral objects and The Wooster Group
- Share economies and Marina Abramovic
- Collaborative eco-moods
- Anticipation
- Conclusion: Intensity
- References
- Index.
