Going public /

"If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his re...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Groĭs, Boris (συγγραφέας.)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Berlin : Sternberg Press : e-flux, 2010.
Θέματα:
LEADER 02204nam a22002777a 4500
003 GR-PaULI
005 20240416063319.0
008 230529s2010 gw ||||| |||| 00| 0 eng d
952 |0 0  |1 0  |2 ddc  |4 0  |6 700_103000000000000_GRO  |7 0  |9 372178  |a ARCH  |b ARCH  |c BSC  |d 2023-05-29  |i 010790  |l 0  |o 700.103 GRO  |p 025000214098  |r 2023-05-29 00:00:00  |t 1  |w 2023-05-29  |y BK15 
999 |c 217024  |d 217024 
020 |a 9781934105306 
040 |a GR-PaULI  |b gre  |c GR-PaULI  |e AACR2 
082 |2 23  |a 700.103 
100 1 |9 161016  |a Groĭs, Boris  |e συγγραφέας. 
245 1 0 |a Going public /  |c Boris Groys. 
260 |a Berlin :  |b Sternberg Press :  |b e-flux,  |c 2010. 
300 |a 168 σ. ;  |c 18 εκ. 
504 |a Περιλαμβάνει βιβλιογραφικές αναφορές και ευρετήριο 
505 |a Introduction: poetics vs. aesthetics -- The obligation to self-design -- The production of sincerity -- Politics of installation -- The loneliness of the project -- Comrades of time -- The weak universalism -- Marx after Duchamp, or The artist's two bodies -- Religion in the age of digital reproduction -- Immortal bodies. 
520 |a "If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his recent books Art Power and The Communist Postscript, in Going Public Boris Groys looks to escape entrenched aesthetic and sociological understandings of art -- which always assume the position of the spectator, of the consumer. Let us instead consider art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place."-- provided by distributor. 
650 0 |a Τέχνη και κοινωνία  |9 30728 
650 0 |9 51598  |a Τέχνη  |x Πολιτικές απόψεις 
650 0 |9 52896  |a Τέχνη, Μοντέρνα  |x Φιλοσοφία  |y 20ός αιώνας 
650 0 |9 143957  |a Τέχνη, Μοντέρνα  |x Φιλοσοφία  |y 21ος αιώνας 
942 |2 ddc  |c BK15 
998 |c ΚΗΠΟΥΡΓΟΥ  |d 2023-05