The comic body in ancient Greek theatre and art, 440-320 BCE /

Using both textual and iconographic sources, this richly illustrated book examines the representations of the body in Greek Old and Middle Comedy, how it was staged, perceived, and imagined, particularly in Athens, Magna Graecia, and Sicily. The study also aims to refine knowledge of the various con...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Piqueux, Alexa (συγγραφέας)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Oxford : Oxford University Press, 2022.
Έκδοση:First edition.
Σειρά:Oxford studies in ancient culture and representation
Θέματα:
LEADER 03280cam a2200373 i 4500
001 22398862
003 GR-PaULI
005 20240610114331.0
008 240610t20222022enka g b 001 0 eng d
010 |a  2022931625 
020 |a 0192845543  |q hardback 
020 |a 9780192845542  |q hardback 
040 |a YDX  |b gre  |c YDX  |e AACR2  |d BDX  |d UKMGB  |d OCLCO  |d OCLCF  |d ERASA  |d YDX  |d DLC  |d GR-PaULI 
082 0 4 |a 882.2  |2 23 
100 1 |a Piqueux, Alexa,  |e συγγραφέας 
245 1 4 |a The comic body in ancient Greek theatre and art, 440-320 BCE /  |c Alexa Piqueux. 
250 |a First edition. 
260 |a Oxford :  |b Oxford University Press,  |c 2022. 
300 |a xvii, 363 σ. :  |b εικ. ;  |c 25 εκ. 
490 1 |a Oxford studies in ancient culture and representation 
504 |a Περιλαμβάνει βιβλιογραφία και ευρετήριο. 
520 8 |a Using both textual and iconographic sources, this richly illustrated book examines the representations of the body in Greek Old and Middle Comedy, how it was staged, perceived, and imagined, particularly in Athens, Magna Graecia, and Sicily. The study also aims to refine knowledge of the various connections between Attic comedy and comic vases from South Italy and Sicily (the so-called 'phlyax vases').0After introducing comic texts and comedy-related vase-paintings in the regional contexts, The Comic Body in Ancient Greek Theatre and Art, 440-320 BCE considers the generic features of the comic body, characterized as it is by a specific ugliness and a constant motion. It also explores how costumes -masks, padding, phallus, clothing, accessories- and gestures contribute to the characters' visual identity in relation with speech : it analyzes the cultural, social, aesthetic, and theatrical conventions by which spectators decipher the body. This study thus leads to a re-examination of the modalities of comic mimesis, in particular when addressing sexual codes in cross-dressing scenes which reveal the artifice of the fictional body. It also sheds light on how comic poets make use of the scenic or imaginary representations of the bodies of those who are targets of political, social, or intellectual satire. There is a particular emphasis on body movements, where the book not only deals with body language and the dramatic function of comic gesture, but also with how words confer a kind of poetic and unreal motion to the body. 
650 4 |a Τέχνη, Αρχαία  |9 80252  |x Ελλάδα 
650 4 |a Κεραμική, Ελληνική(Αρχαία)   |9 93491 
650 4 |a Κωμικό, Το, στην τέχνη.  |9 204130 
650 4 |a Κωμικό, Το, στη λογοτεχνία.  |9 161832 
650 4 |a Ελληνικό δράμα (Κωμωδία)  |9 543  |x Ιστορία και κριτική 
650 4 |a Σώμα, Ανθρώπινο, στη λογοτεχνία.  |9 174166 
650 4 |a Σώμα, Ανθρώπινο στην τέχνη.  |9 176845 
830 |a Oxford studies in ancient culture and representation  |9 204111 
942 |2 ddc  |c BK15 
952 |0 0  |1 0  |2 ddc  |4 0  |6 882_200000000000000_PIQ  |7 0  |9 381084  |a THST  |b THST  |d 2024-06-10  |i 017930  |l 1  |o 882.2 PIQ  |p 025000299827  |q 2024-10-22  |r 2024-10-07 13:48:00  |s 2024-10-07  |t 1  |w 2024-06-10  |y BK15 
998 |c ΜΑΝΙΑ  |d 2024-06 
999 |c 221450  |d 221450