The art museum in modern times /

The National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Saumarez Smith, Charles (συγγραφέας.)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: New York : Thames & Hudson Inc., 2021.
Θέματα:
Πίνακας περιεχομένων:
  • Introduction: The Traditional Museum 1. The Modern Museum. The Museum of Modern Art, New York (1939) ; Louisiana, Humlebaek (1958) ; Guggenheim Museum, New York (1959) ; Castelvecchio Museum, Verona (1964) ; Whitney Museum, New York (1966) ; New National Gallery, Berlin (1968) ; Sao Paulo Museum of Art, Sao Paulo (1968) ; Christ Church Picture Gallery, Oxford (1968) ; Kimbell Art Museum, Fort Worth (1972) ; Centre Pompidou, Paris (1977) ; Yale Center for British Art, New Haven (1977) ; Sainsbury Centre for Visual Arts, Norwich (1978) ; East Building, National Gallery of Art, Washington, DC (1978) 2. The Postmodern Museum. Neue Staatsgalerie, Stuttgart (1984) ; Saatchi Gallery, London (1985) ; Musee d'Orsay, Paris (1986) ; The Menil Collection, Houston (1987) ; The Louvre Pyramid, Paris (1989) ; The Sainsbury Wing, National Gallery, London (1991) ; Benesse House Museum, Naoshima (1992) ; Getty Center, Los Angeles (1997) ; Guggenheim Museum, Bilbao (1997) ; Beyeler Foundation, Basel (1997) 3. Museums for the New Millennium. Tate Modern, London (2000) ; Ondaatje Wing, National Portrait Gallery, London (2000) ; Neue Galerie, New York (2001) ; Dia:Beacon, Beacon, NY (2003) ; Museum of Modern Art, New York (2004) ; 21st Century Museum of Contemporary Art, Kanazawa (2004) ; Kolumba, Cologne (2007) ; Neues Museum, Berlin (2009) ; Hepworth Wakefield, Yorkshire (2011) ; Turner Contemporary, Margate (2011) 4. The Museum Reinvented. MONA, Hobart (2011) ; Louvre Museum, Lens (2012) ; The Barnes Foundation, Philadelphia (2012) ; Whitney Museum, New York (2015) ; The Broad, Los Angeles (2015) ; Blavatnik Building, Tate Modern, London (2016) ; Louvre Abu Dhabi (2017) ; The Royal Academy of Arts, London (2018) ; Muzeum Susch, Susch (2019) ; West Bund Museum, Shanghai (2019) 5. Key Issues. The role of the client ; The role of the architect ; The rise of the private museum ; The morality of wealth ; The end of history ; The changing characteristics of works of art ; Globalization ; The digital world ; The search for the sacred ; Audience expectations Conclusion