Studies in Theatre and Performance :
Μορφή: | Περιοδική έκδοση |
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Γλώσσα: | English |
Έκδοση: |
Glasqow :
Intellect journals
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Θέματα: |
Πίνακας περιεχομένων:
- Τομ. 32(3) : Introduction
- Identifying some platitudes with regard to the plethoric text / Howard Barker
- BLOK/EKO: Synopsis / Howard Barker
- The Brilliance of the Servant without qualities: Bare life and the horde offstage / Daniel Sack
- The art music of theatre: Howard Barker as sound designer / Adrian Curtin
- Chasing the ellipses: Staging Howard Barker's The Forty (Few Words) / David Ian Rabey
- Crowd or chorus? Howard Barker's mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century / Jens Peters
- Reading Barker with Lacan: Twenty asides on Woman, the One and the Real / Alex Mangold
- From plethora to bare sufficiency / Mick Mangan
- Poetry and intensification in Howard Barker's theatre of plethora / Karoline Gritzner
- Contra mortem, petimus scientiam: Pain, tragedy, death and medicine in BLOK/EKO / Sarah Goldingay
- Charles V / Howard Barker
- Τομ. 33(2) : The living statue: Performer, poseur, posthuman / Andy Lavender
- Exploring radical openness: A porous model for relational festival performance / Alice O'grady
- Brilliant theatre-making at the National: Devising, collective creation and the director's brand / Alex Mermikides
- ‘History Repeating Itself?’: Text and image, theatre and performance: Howard Brenton and David Edgar's appropriation of the historical drama / John Bull
- Eighteenth-century Brechtians Joel Schechter
- Dancing in translation: Irina Brook's mise en scène of Danser à Lughnasa, Jean-Marie Besset's translation of Brian Friel's Dancing at Lughnasa / Anna McMullan
- Have you ever considered a career in total revolution? Drama and the corporate reform of UK higher education / Roy Connolly
- Theatre topics : Bastard or Playmate : adapting theatre, mutating media and contemporary performing arts, Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere (eds)(2012) / Mark Crossley
- Archeologies of Presence : art, performance and the persistence of being, Gabriella Giannachi, Nick Kaye and Michael Shanks (eds)(2012) / Hammah Cummings
- The censorship of British Drama, vol.3 - The Fifties, Steve Nicholson (2011) / Anne Etienne
- Resetting the stage : public theatre between the market and democracy, Dragan Klaic (2012) / Sam Haddow
- Composed theatre - aesthetics, practices, processes, Matthias Rebstock and David Resner (eds)(2012) / Pamela Karantonis
- The Vakhtangov Sourcebook, Andrei Malaev-Babel(ed.)(2011) / Konstantinos Thomaidis
- Performing otherness : Java and Bali on international stages, 1905-1952, Matthew Isaac Cohen (2010) / Jane Turner
- Τομ. 34(1) : A Passion play at Ally Pally / Tony Coult
- Staging sexuality in an all-male adaptation of Romeo and Juliet / Yilin Chen
- Scenographic landscapes / David Shearing
- Treason, wit and scurrility: Fielding’s Cibber letters / Joel Schechter
- Arthur Miller and the New York state of being / Aysha Viswamohan
- Noticing things we take for granted / Peter Thomson
- Creating community theatre for social change / Jennifer McKenna
- The plays of Peter Oswald: new writing at Shakespeare’s Globe 1998–2005 / Catriona Fallow
- Theatre and performance in small nations / Robson Jack
- Gavin Bolton’s contextual drama: the road less travelled / Kenneth Bamuturaki
- The greatest shows on Earth: world theatre from Peter Brook to the Sydney Olympics / Marilena Zaroulia
- Religion, theatre, and performance: acts of faith / Sarah Goldingay
- Contemporary mise en scène: staging theatre today / Christopher Baugh
- Heritage, nostalgia and modern British theatre: staging the Victorians / Sarah Grochala
- The chamber of demonstrations: reconstructing the Jacobean playhouse / Nora Williams