Studies in Theatre and Performance :

Λεπτομέρειες βιβλιογραφικής εγγραφής
Μορφή: Περιοδική έκδοση
Γλώσσα:English
Έκδοση: Glasqow : Intellect journals
Θέματα:
Πίνακας περιεχομένων:
  • Τομ. 32(3) : Introduction
  • Identifying some platitudes with regard to the plethoric text / Howard Barker
  • BLOK/EKO: Synopsis / Howard Barker
  • The Brilliance of the Servant without qualities: Bare life and the horde offstage / Daniel Sack
  • The art music of theatre: Howard Barker as sound designer / Adrian Curtin
  • Chasing the ellipses: Staging Howard Barker's The Forty (Few Words) / David Ian Rabey
  • Crowd or chorus? Howard Barker's mise-en-scène and the tradition of the chorus in the European theatre of the twentieth century / Jens Peters
  • Reading Barker with Lacan: Twenty asides on Woman, the One and the Real / Alex Mangold
  • From plethora to bare sufficiency / Mick Mangan
  • Poetry and intensification in Howard Barker's theatre of plethora / Karoline Gritzner
  • Contra mortem, petimus scientiam: Pain, tragedy, death and medicine in BLOK/EKO / Sarah Goldingay
  • Charles V / Howard Barker
  • Τομ. 33(2) : The living statue: Performer, poseur, posthuman / Andy Lavender
  • Exploring radical openness: A porous model for relational festival performance / Alice O'grady
  • Brilliant theatre-making at the National: Devising, collective creation and the director's brand / Alex Mermikides
  • ‘History Repeating Itself?’: Text and image, theatre and performance: Howard Brenton and David Edgar's appropriation of the historical drama / John Bull
  • Eighteenth-century Brechtians Joel Schechter
  • Dancing in translation: Irina Brook's mise en scène of Danser à Lughnasa, Jean-Marie Besset's translation of Brian Friel's Dancing at Lughnasa / Anna McMullan
  • Have you ever considered a career in total revolution? Drama and the corporate reform of UK higher education / Roy Connolly
  • Theatre topics : Bastard or Playmate : adapting theatre, mutating media and contemporary performing arts, Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere (eds)(2012) / Mark Crossley
  • Archeologies of Presence : art, performance and the persistence of being, Gabriella Giannachi, Nick Kaye and Michael Shanks (eds)(2012) / Hammah Cummings
  • The censorship of British Drama, vol.3 - The Fifties, Steve Nicholson (2011) / Anne Etienne
  • Resetting the stage : public theatre between the market and democracy, Dragan Klaic (2012) / Sam Haddow
  • Composed theatre - aesthetics, practices, processes, Matthias Rebstock and David Resner (eds)(2012) / Pamela Karantonis
  • The Vakhtangov Sourcebook, Andrei Malaev-Babel(ed.)(2011) / Konstantinos Thomaidis
  • Performing otherness : Java and Bali on international stages, 1905-1952, Matthew Isaac Cohen (2010) / Jane Turner
  • Τομ. 34(1) : A Passion play at Ally Pally / Tony Coult
  • Staging sexuality in an all-male adaptation of Romeo and Juliet / Yilin Chen
  • Scenographic landscapes / David Shearing
  • Treason, wit and scurrility: Fielding’s Cibber letters / Joel Schechter
  • Arthur Miller and the New York state of being / Aysha Viswamohan
  • Noticing things we take for granted / Peter Thomson
  • Creating community theatre for social change / Jennifer McKenna
  • The plays of Peter Oswald: new writing at Shakespeare’s Globe 1998–2005 / Catriona Fallow
  • Theatre and performance in small nations / Robson Jack
  • Gavin Bolton’s contextual drama: the road less travelled / Kenneth Bamuturaki
  • The greatest shows on Earth: world theatre from Peter Brook to the Sydney Olympics / Marilena Zaroulia
  • Religion, theatre, and performance: acts of faith / Sarah Goldingay
  • Contemporary mise en scène: staging theatre today / Christopher Baugh
  • Heritage, nostalgia and modern British theatre: staging the Victorians / Sarah Grochala
  • The chamber of demonstrations: reconstructing the Jacobean playhouse / Nora Williams