The Oxford Handbook of Greek Drama in the Americas /

The Oxford Handbook of Greek Drama in the Americas /

Λεπτομέρειες βιβλιογραφικής εγγραφής
Άλλοι συγγραφείς: Bosher, Kathryn, 1974- (επιμελήτρια), Macintosh, Fiona, 1959- (επιμελήτρια), McConnell, Justine (επιμελήτρια), Rankine, Patrice D. (επιμελήτρια)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Oxford : Oxford University Press, 2015.
Έκδοση:First edition.
Σειρά:Oxford handbooks
Θέματα:
Θέατρο > Ηνωμένες Πολιτείες Αμερικής > Ιστορία > 19ος αιώνας.
Θέατρο > Ηνωμένες Πολιτείες Αμερικής > Ιστορία > 20ος αιώνας
Θέατρο > Ηνωμένες Πολιτείες Αμερικής > Ιστορία > 21ος αιώνας.
Ελληνικό δράμα > Ιστορία και κριτική
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505 0 0 |t Theories and methods.  |t Introduction /  |r Fiona Macintosh, Justice McConnell, and Patrice Rankine --  |t An archival interrogation /  |r Susan Curtis --  |t New worlds, old dreams?: postcolonial theory and reception of Greek drama /  |r Barbara Goff and Michael Simpson --  |t Shaping American theater (1800-1900).  |t Grecian theater in Philadelphia, 1800-1870 /  |r Lee T. Pearcy --  |t Thebes in the New World: revisiting the New York Antigone of 1845 /  |r Fiona Macintosh --  |t Julia Ward Howe's Hippolytus /  |r Helene P. Foley --  |t Professional tragedy: the case of Medea in Chicago, 1867 /  |r Kathryn Bosher and Jordana Cox --  |t Barbarian queens: race, violence, and antiquity on the nineteenth-century United States stage /  |r Robert Davis --  |t When Greeks stand you up, invite Romans: the ancient world on the nineteenth-century American stage /  |r David Mayer --  |t Modernisms in the Americas (1900-1930).  |t The migrant muse: Greek drama as feminist window on American identity, 1900-1925 /  |r Edith Hall --  |t Iphigenia amongst the Ivies, 1915 /  |r Niall W. Slater --  |t Treading the arduous road to Eleusis, nationalism, and feminism in early post-World War I Canada: Roy Mitchell's 1920 The Trojan women /  |r Moira Day --  |t Greek tragedy and modern dance: an alternative archaeology? /  |r Artemis Leontis --  |t Eugene O'Neill's quest for Greek tragedy /  |r Vassilis Lambropoulos --  |t The living pasts (1925-1970).  |t Choreographing the classics, performing sexual dissidence /  |r Susan Manning --  |t Greek tragedy in Mexico /  |r Francisco Barrenechea --  |t Moving and dramatic Athenian citizenship: Edith Hamilton's Americanization of Greek tragedy /  |r Judith P. Hallett -- 
505 8 0 |t A new stage of laughter for Zora Neale Hurston and Theodore Browne: Lysistrata and the Negro Units of the Federal Theatre Project /  |r Lena M. Hill --  |t Aristophanic comedy in American musical theater, 1925-1969 /  |r John Given --  |t Cubanizing Greek drama: José Triana's Medea in the mirror (1960) /  |r Konstantinos P. Nikoloutsos --  |t Creative collisions (1948-1968).  |t Revolutionizing Greek tragedy in Cuba: Virgilio Piñera's Electra Garrigó /  |r Rosa Andújar --  |t A Brazilian echo of Antigone's "Collision": tragedy, clean and filthy /  |r Paul B. Dixon --  |t The darkening of Medea: geographies of race, (dis)placement, and identity in Agostinho Olavo's Além do Rio (Medea) /  |r José de Paiva Dos Santos --  |t The frontiers of David Cureses' La frontera /  |r Aníbal A. Biglieri --  |t Brothers at war: Aeschylus in Cuba, 1968 and 2007 /  |r Isabelle Torrance --  |t The search for the omni-Americans (1970s-2013).  |t Metaphor and modernity: American themes in Herakles and Dionysus in 69 /  |r Thomas E. Jenkins --  |t Lee Breuer's new American classicism: The gospel at Colonus' "integration statement" /  |r Justine McConnell --  |t Greek tragedy, enslaving or liberating?: the example of Rita Dove's The darker face of the Earth /  |r Nancy Sorkin Rabinowitz --  |t The power of Medea's sisterhood: democracy on the margins in Cherríe Moraga's The hungry woman: a Mexican Medea /  |r Katie Billotte --  |t August Wilson and Greek drama: blackface minstrelsy, "spectacle" from Aristotle's Poetics, and Radio golf /  |r Patrice Rankine --  |t "Aeschylus got flow!": Afrosporic Greek tragedy and Will Power's The seven /  |r Kevin J. Wetmore, Jr. -- 
505 8 0 |t Making women visible: multiple Antigones on the Colombian twenty-first-century stage /  |r Moira Fradinger --  |t Democratic appropriations: Lysistrata and political activism /  |r Dorota Dutsch --  |t Reclaiming Euripides in Harlem /  |r Melinda Powers --  |t Oedipus Tyrannus in South America /  |r María Florencia Nelli --  |t Greek drama on the U.S. west coast, 1970-2013 /  |r Mary-Kay Gamel --  |t Performing for soldiers: twenty-first-century experiments in Greek theater in the U.S.A. /  |r Laura Lodewyck and S. Sara Monoson --  |t Greek drama in Canada: women's voices and minority views /  |r Hallie Rebecca Marshall --  |t Practitioner perspectives.  |t On remixing the classics and directing Countee Cullen's Medea and Law Chavez's Señora de la pinta: an interview with theater director Daniel Banks /  |r Patrice Rankine and Daniel Banks --  |t This bird that never settles: a virtual conversation with Anne Carson about Greek tragedy /  |r Yopie Prins --  |t Medea in Brazil: interview with director Heron Coelho /  |r Cesar Gemelli --  |t An interview with Héctor Levy-Daniel / María Florencia Nelli --  |t Charles Mee's "(re)making" of Greek drama /  |r Erin B. Mee --  |t An interview with Carey Perloff /  |r Margaret Williamson --  |t Eclectic encounters: staging Greek tragedy in America, 1973-2009 /  |r Rush Rehm --  |t The shock of recognition: Nicholas Rudall's translation of Greek drama for the Chicago stage at Court Theatre /  |r Justine McConnell and Patrice Rankine --  |t In conversation with Peter Sellars: what does Greek tragedy mean to you? /  |r Avery Willis Hoffman --  |t The Women and War Project /  |r Peggy Shannon --  |t Dionysus in 69 in 2009 /  |r Shawn Sides --  |t Talking Greeks with Derek Walcott /  |r Helen Eastman --  |t Afterword.  |t Audiences across the pond: oceans apart or shared experiences? /  |r Lorna Hardwick. 
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