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|a The Methuen Drama handbook of theatre history and historiography /
|c edited by Claire Cochrane and Jo Robinson.
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1 |
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|a Handbook of theatre history and historiography
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| 246 |
1 |
0 |
|a Theatre history and historiography
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| 260 |
|
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|a London ;
|a New York :
|b Methuen Drama/Bloombury,
|c 2020.
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| 300 |
|
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|a xxi, 364 σ. :
|b εικ. ;
|c 24 εκ.
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| 490 |
1 |
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|a Methuen Drama Handbooks
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| 504 |
|
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|6 Περιλαμβάνει βιβλιογραφία και ευρετήριο.
|
| 505 |
8 |
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|a
|t Introduction /
|r Claire Cochrane and Jo Robinson --
|t Research methods and methodologies /
|r Claire Cochrane and Jo Robinson --
|t Seeing differently through time and space: introduction /
|r Claire Cochrane and Jo Robinson --
|t A-foot in time: temporality in the space of a moment in theatre history /
|r Rosemarie K. Bank --
|t Nuwhju and the archive: recuperating the history of Aboriginal Australian performance practice /
|r Maryrose Casey --
|t Challenging dominant histories: introduction /
|r Claire Cochrane and Jo Robinson --
|t Theatre history versus theatre canon: the Chilean case /
|r Milena Grass Kleiner, Mariana Hausdorf Andrade and Nancy Nicholls --
|t When Napoleon went to the theatre: a closer examination of stories and the history of the Milanese patriotic scene /
|r Laura Peja --
|t Politics, precursors and erasure: introduction /
|r Claire Cochrane and Jo Robinson --
|t How to make political theatre? Polish Socialist realism as a historiographical problem /
|t Dorota Sosnowska --
|t 'The first actress party': Adunni Oluwole and the first guerrilla theatre in Nigeria /
|r Ngozi Udengwu --
|t Mapping landscapes of theatres: introduction /
|r Claire Cochrane and Jo Robinson --
|t Mapping London's amateur theatre histories /
|r David Coates --
|t Between back province and metropolis: actor autobiographies as sources to trace cultural mobility /
|r Katharina Wessely --
|t Place and the performance event: introduction /
|r Claire Cochrane and Jo Robinson --
|t History versus historiography: a renaissance case study revisited /
|r Clelia Falletti --
|t Of shrine and stage: a study of huizhou temple theatre in late imperial China /
|r Xiaohuan Zhao --
|t Material evidence and the archive: introduction /
|r Claire Cochrane and Jo Robinson --
|t Historiography of yellowface: stage make-up, materiality, and technology /
|r Esther Kim Lee --
|t Archived voices: attempting to listen to the theatrical past /
|r Ruthie Abeliovich --
|t The imperatives of local difference: introduction /
|r Claire Cochrane and Jo Robinson --
|t What's in a name? The performance of language in the invention of colonial and postcolonial in South Asian theatre history /
|r Rashna Darius Nicholson --
|t Korean masked dance drama and a historiography of emotions /
|r Hyunshik Ju --
|t Rhizomes and Palimpsests: Theatre histories across cultures: introduction /
|r Claire Cochrane and Jo Robinson --
|t Erased trails: investigating Icelandic-Canadian theatre history /
|r Magnus Thor Thorbergsson --
|t Decolonizing theatre history in the Arab world (the case of the Maghreb) /
|r Khalid Amine --
|t Changing perspectives and current challenges: introduction /
|r Claire Cochrane and Jo Robinson --
|r A manifesto for performance research /
|t Elisabeth Dutton --
|t Digital histories, digital landscapes: new possibilities of arranging the record /
|r Jo Robinson --
|t Historians in dialogue: a roundtable discussion.
|
| 520 |
|
|
|a "This book covers the key themes and methods that are current in theatre history research, with a particular focus on expanding the object of study to include engagement with theatre and performance practices and the development of theatre histories around the world, Central to the book are eighteen specially commissioned essays by established and emerging scholars from a wide range of international contexts, whose discussion of individual case studies is predicated on their understanding and experience of their 'local' landscape of theatre history. These essays reveal where important work continues to be done in the field and, most valuably, draws on academic contexts beyond the Western academy to expand our knowledge of the exciting directions that such an approach opens up. Prefaced by an introduction tracing the development of the discipline of theatre history and changing historiographical approaches, the Handbook explores current issues pertaining to theatre and performance history research, as well as providing up to date and robust introductions to the methods and historiographic questions being explored by researchers in the field. Featuring a series of essential research tools, including a detailed list of resources and an annotated bibliography of key texts, this is an indispensable scholarly handbook for anyone working in theatre and performance history and historiography." -- Baksida.
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| 650 |
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