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03232cam a2200385 i 4500 |
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22488572 |
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GR-PaULI |
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20250121142021.0 |
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250121s2022 enk g b 001 0 eng d |
010 |
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|a 2022005619
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020 |
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|a 9781108476751
|q (hardback)
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020 |
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|a 9781108701464
|q (paperback)
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020 |
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|z 9781108583800
|q (ebook)
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040 |
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|a DLC
|b gre
|e AACR2
|c DLC
|d GR-PaULI
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082 |
0 |
0 |
|a 792.01
|2 23
|
100 |
1 |
|
|a Tompkins, Joanne,
|d 1961-
|e συγγραφέας
|
245 |
1 |
0 |
|a Visualising lost theatres :
|b virtual praxis and the recovery of performance spaces /
|c Joanne Tompkins, Julie Holledge, Jonathan Bollen, Liyang Xia.
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260 |
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|a Cambridge ;
|b cambridge University Press,
|c 2022.
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300 |
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|a xii, 206 σ. ;
|c 24 εκ.
|
490 |
0 |
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|a Cambridge studies in modern theatre
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504 |
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|a Περιλαμβάνει βιβλιογραφία και ευρετήριο.
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505 |
0 |
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|a The Rose Theatre and stage movement in Marlowe's Doctor Faustus -- Komediehuset and Henrik Ibsen's in his First Theatre -- A colonial audience watching Othello at the Queen's Theatre -- Cantonese opera and the layering of space on the Australian goldfields -- The design of attraction at the Stardust Showroom in Las Vegas -- Visualizing the future of theatre research.
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520 |
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|a "Visualising Lost Theatres argues that once a theatre is demolished, its theatrical, social, and cultural worlds are also at risk. Yet venues are living systems, not than passive containers of performance. A visualisation-or virtual reconstruction-can provide the visual and immersive feel of a venue, revealing performance logistics for actors and audience. We examine virtual models of the Rose Theatre in 1590s London where Christopher Marlowe's plays were performed; Komediehuset in Bergen, Norway, where Henrik Ibsen learned how to be a playwright in the 1850s; the Queen's Theatre, built in 1841, which represents an empire-building movement in Adelaide, South Australia; Cantonese opera touring in circus tents in Australia's goldfields from the 1850s; and the Stardust showroom in 1950s Las Vegas which shaped commercial theatre for a tourist audience. Each reveals new knowledge about the venues themselves, theatrical form, and performer-audience relationships. The book overall offers a methodology for this new technology in theatre studies: it illustrates how the virtual models can, in conjunction with performers and designers, be performance laboratories to test out the written archive"--
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650 |
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4 |
|a Θέατρο
|x Αισθητική
|9 7297
|
650 |
|
4 |
|a Θεατρική αρχιτεκτονική
|9 7942
|
650 |
|
4 |
|a Αρχιτεκτονική και τεχνολογία
|9 6702
|
650 |
|
4 |
|a Κοινό, Θεατρικό
|9 90533
|
700 |
|
4 |
|a Holledge, Julie,
|d 1950-
|e συγγραφέας
|9 207539
|
700 |
|
4 |
|a Bollen, Jonathan.
|e συγγραφέας
|9 207540
|
700 |
|
4 |
|a Xia, Liyang.
|e συγγραφέας
|9 207541
|
830 |
|
|
|a Cambridge studies in modern theatre
|9 159248
|
942 |
|
|
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|c BK15
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