How the classics made Shakespeare /

Ben Jonson famously accused Shakespeare of having "small Latin and less Greek." But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rom...

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Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Bate, Jonathan (συγγραφέας)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Princeton, NJ : Princeton University Press, 2019.
Σειρά:E. H. Gombrich lecture series
Θέματα:
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245 1 0 |a How the classics made Shakespeare /  |c Jonathan Bate. 
260 |a  Princeton, NJ :  |b Princeton University Press,  |c 2019. 
300 |a xiv, 361 σ. :  |b εικ. ;  |c 23 εκ. 
490 1 |a E. H. Gombrich lecture series 
500 |a "This book grew from the inaugural E. H. Gombrich Lectures in the Classical Tradition that I delivered in the autumn of 2013 at the Warburg Institute of the University of London, under the title, "Ancient Strength: Shakespeare and the Classical Tradition"--Preface, page ix. Αυτό το βιβλίο προέκυψε από τις εναρκτήριες Διαλέξεις του E. H. Gombrich in the Classical Tradition που παρέδωσα το φθινόπωρο του 2013 στο Ινστιτούτο Warburg του Πανεπιστημίου του Λονδίνου, υπό τον τίτλο, "Ancient Strength: Shakespeare and the Classical Tradition"--Πρόλογος, σελίδα ix. 
504 |a Περιλαμβάνει βιβλιογραφία και ευρετήριο. 
505 |a 1. The Intelligence of Antiquity -- 2. O’er-Picturing Venus -- 3. Resemblance by Example -- 4. Republica Anglorum -- 5. Tragical-Comical- Historical- Pastoral -- 6. S. P. Q. L. -- 7. But What of Cicero? -- 8. Pyrrhus’s Pause -- 9. The Good Life -- 10. The Defence of Phantasms -- 11. An Infirmity Named Hereos -- 12. The Labours of Hercules -- 13. Walking Shadows -- 14. In the House of Fame -- Appendix: The Elizabethan virgil -- Notes -- Index. 
520 |a Ben Jonson famously accused Shakespeare of having "small Latin and less Greek." But he was exaggerating. Shakespeare was steeped in the classics. Shaped by his grammar school education in Roman literature, history, and rhetoric, he moved to London, a city that modeled itself on ancient Rome. He worked in a theatrical profession that had inherited the conventions and forms of classical drama, and he read deeply in Ovid, Virgil, and Seneca. In a book of extraordinary range, acclaimed literary critic and biographer Jonathan Bate, one of the world's leading authorities on Shakespeare, offers groundbreaking insights into how, perhaps more than any other influence, the classics made Shakespeare the writer he became. Revealing in new depth the influence of Cicero and Horace on Shakespeare and finding new links between him and classical traditions, ranging from myths and magic to monuments and politics, Bate offers striking new readings of a wide array of the plays and poems. At the heart of the book is an argument that Shakespeare's supreme valuation of the force of imagination was honed by the classical tradition and designed as a defense of poetry and theater in a hostile world of emergent Puritanism. Rounded off with a fascinating account of how Shakespeare became our modern classic and has ended up playing much the same role for us as the Greek and Roman classics did for him, How the Classics Made Shakespeare combines stylistic brilliance, accessibility, and scholarship, demonstrating why Jonathan Bate is one of our most eminent and readable literary critics. 
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