The self-portrait : a cultural history /

"Hall provides a lively cultural interpretation of the genre from the Middle Ages to today. . . . Rather than provide a series of 'greatest hits,' he is more concerned with the reasons why artists create self-portraits." --The Weekly Standard The self-portrait may be the visual g...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Hall, James, 1963- (συγγραφέας.)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: London : Thames & Hudson, 2014.
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245 1 4 |a  The self-portrait :   |b a cultural history /   |c James Hall.  
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505 0 |a Cover; Title Page; About the Author; Other Titles of Interest; Dedication; Contents; Introduction; Prelude: Self-Portraiture in Antiquity; 1. Medieval Origins; 2. A Craze for Mirrors; 3. The Artist in Society; 4. The Renaissance Artist as Hero; 5. Mock-Heroic Self-Portraits; 6. The Artist's Studio; 7. At the Crossroads; 8. Coming Home: into the Nineteenth Century; 9. Sex and Genius; 10. Beyond the Face: Modern and Contemporary Self-Portraits; Notes; Selected Bibliography; Acknowledgments; Picture Credits; Index; Copyright 
520 |a "Hall provides a lively cultural interpretation of the genre from the Middle Ages to today. . . . Rather than provide a series of 'greatest hits,' he is more concerned with the reasons why artists create self-portraits." --The Weekly Standard The self-portrait may be the visual genre most identified with our confessional era, but modern artists are far from the first to have explored its power and potential. In this broad cultural survey of the genre, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus and the Christian tradition of "bearing witness" to the prolific self-image-making of today's contemporary artists. Hall's intelligent and vivid account shows how artists' depictions of themselves have been part of a continuing tradition that reaches back centuries. Along the way he reveals the importance of the medieval mirror craze; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the biographical role of serial self-portraits by artists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard, and Modersohn-Becker; and the latest developments of the genre in the era of globalization. Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt, and Warhol 
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