Global perspectives on digital literature : a critical introduction for the twenty-first century /
"Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations. The book understands 'global' as a mode of comparative...
| Άλλοι συγγραφείς: | |
|---|---|
| Μορφή: | Βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
New York :
Routledge,
2023.
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| Θέματα: |
Πίνακας περιεχομένων:
- I. Reimagining Digital Literary Studies / Torsa Ghosal
- Textual Instability: Paradoxes of Literary Remix / Simone Murray
- Diverse Mappings of Electronic Literature: Expanding the Canon(s) / Mariusz Pisarski
- Ludonarrative Postcolonialism: Re-playing the Colonial Discourse / Souvik Mukherjee
- II. Digital Embodiments and Disabilities / Torsa Ghosal
- Games as Critical Literature: Playing with Transhumanism, Embodied Cognition, and Narrative Difference in SOMA / Cody Mejeur
- The Horror of Networked Existence: Affect, Connection, and Anxiety in Classic Creepypasta Narratives / Sara Bimo
- Networked Chronic Pain Narratives: Locating Disability through Fibromyalgia Facebook Community / Rimi Nandy
- III. Forms of Resistance / Torsa Ghosal
- The Erasing Impulse: Veiling and Unveiling the Poetic and the Political / Álvaro Seiça
- Digital Political Cartoons: Collaborative Activism in Hong Kong / Kin Wai Chu
- Between Two Screens: The January 25th Revolution in Egypt / Reham Hosny
- 'If this document is authentic': On Bill Bly's Archival Fiction / Brian Davis
- IV. Medial and Cultural Crossings / Torsa Ghosal
- From Oral to Digital and Back: Adinkra Symbols and Kweku Ananse on YouTube / J.B. Amissah-Arthur and Kwabena Opoku-Agyemang
- Bending Voices, Opening Ears: Voice, Music, Sound and Affect in Digital Literature / Hazel Smith
- Intermedial Experience and Discursive Voice in Printed Text, Audiobook, and Podcast: H.P. Lovecraft's 'The Statement of Randolph Carter' / Jarkko Toikkanen and Mari Hatavara.
