Monody in Euripides : character and the liberation of form in late Greek tragedy /

The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the in...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Catenaccio, Claire (συγγραφέας)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Cambridge : Cambridge University Press, 2023.
Θέματα:
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245 1 0 |a Monody in Euripides :  |b character and the liberation of form in late Greek tragedy /  |c Claire Catenaccio. 
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504 |6 Περιλαμβάνει βιβλιογραφία και ευρετήριο. 
505 |a Introduction : the song at work -- 1. Ion: monody as Agon -- 2. Iphigenia among the Taurians: memory and movement -- 3. Phoenician women: the lyric voice of a shattered house -- 4. Orestes: monody as messenger speech -- Conclusion: freedom and form -- Appendix actor's song in the extant plays of Aeschylus, Sophocles and Euripides. 
520 |a The solo singer takes center stage in Euripides' late tragedies. Solo song - what the Ancient Greeks called monody - is a true dramatic innovation, combining and transcending the traditional poetic forms of Greek tragedy. At the same time, Euripides uses solo song to explore the realm of the interior and the personal in an expanded expressive range. Contributing to the current scholarly debate on music, emotion, and characterization in Greek drama, this book presents a new vision for the role of monody in the musical design of Ion, Iphigenia among the Taurians, Phoenician Women, and Orestes. Drawing on her practical experience in the theater, Catenaccio establishes the central importance of monody in Euripides' art -- Οπισθόφυλλο. 
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