Arts-based interventions and social change in Europe /

This book presents 23 successful arts-based efforts to respond to social problems experienced by disadvantaged communities. The arts are a powerful means of fighting discrimination, marginalisation, neglect and even poverty. The educational programmes described in these chapters help stakeholders fi...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Άλλοι συγγραφείς: Karpati, Andrea (επιμελήτρια)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: New York : Routledge, 2024.
Σειρά:Routledge advances in art and visual studies
Θέματα:
Πίνακας περιεχομένων:
  • Introduction: Arts-based social interventions: policy-oriented results of the AMASS project: Introduction to the case studies / Andrea Kárpáti and Raphael Vella
  • Part I. Visual arts for social inclusion
  • 1. Dialogical correspondence of socially engaged participatory arts research project / Paul Wilson, Tang Tang and Ki Woong Nam
  • 2. Dialogue as social sculpture: a visual method of graphic-ethnography for storytelling. Exploring Participation and Collaboration in Research and Socially Engaged Arts / Paul Wilson, Tang Tang and Ki Woong Nam
  • 3. Building relationships through arts: Two case studies in Portugal / Teresa Eca and Ângela Saldanha
  • 4. Mathematics through art: Developing spatial skills and digital literacy of children with learning challenges through visual arts education / Erika Kugler and Andrea Kárpáti
  • 5. Engaging youth through visuals / Amna Qureshi
  • 6. Searching for beauty: Art at a distance / Magdalena Novotná and Marie Fulková
  • 7. Cut for New Times: Emancipatory effects of artistic open form Magdalena Novotná and Marie Fulková
  • 8. Studying the impact of a collaborative art workshop on social inclusion / Raphael Vella and Milosh Raykov
  • Part II. Drama-based interventions for social inclusion
  • 9. Developing and evaluating a theatre project for youth with intellectual disabilities / Raphael Vella et al.
  • 10. Combatting ageism through participation in a theatre-making process and performance / Isabelle Gatt
  • Part III. Environmental and design education projects to promote social integration and environmental appropriation
  • 11. SoftPowerArt: Tackling environmental and societal conflicts / Maria Huhmarniemi, Satu Miettinen and Melanie Sarantou
  • 12. Telling the truth: Guerilla art and community engagement in Malta / Margerita Pulè et al.
  • 13. Crossing bridges and being together / Ângela Saldanha and Teresa Eca
  • 14. Spatial skills development for socially challenged children: An in-service art teacher training programme / Anna Eplényi et al.
  • 15. AMASS-AMAS-WEIRD: Community-based art education project in the Sápmi area, Finland / Mirja Hiltunen
  • Part IV. Media-based social interventions: Film, photography, and social media for empowerment and inclusion
  • 16. #daimieiocchi: Participatory photography workshops for marginalised young people in Italy: Theoretical foundations and methods / Carolina Gutiérrez Novoa and Silvia Remotti
  • 17. #daimieiocchi: Participatory Photography Workshops for marginalised young people in Italy: Collaborative creation and results / Carolina Gutiérrez Novoa and Silvia Remotti
  • 18. Cultural empowerment through social media: The Roma Cultural Influencer Project / Andrea Kárpáti et al.
  • Part V. Social interventions in nonformal settings
  • 19. Is money a dirty word? The entrepreneurial worlds of art and sculpting / Melanie Sarantou and Niina Karvinen
  • 20. Museum: the bridge between art and society: Museum education program and teacher training at the Ludwig Museum / Zsófia Somogyi-Rohonczy
  • 21. Glass is a treasure! Teaching art and culture at a primary school with Roma pupils / Marie Fulková and Magdalena Novotná
  • 22. Cut for New Times: A collaborative project at the School for the Deaf and the Museum of Decorative Art in Prague / Marie Fulková and Magdalena Novotná
  • 23. SENsational art: An educational program for children with behavioural issues and Special Educational Needs (SEN) and an in-service training program for their teachers at the Hungarian National Gallery / Zsófia Albrecht
  • Conclusion.