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02241nam a2200313 u 4500 |
| 001 |
10100065 |
| 003 |
upatras |
| 005 |
20211217140815.0 |
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130124s2001 eng |
| 020 |
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|a 0851708471
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|a GR-PaULI
|c GR-PaULI
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| 041 |
0 |
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|a eng
|
| 082 |
1 |
4 |
|a 791.4309
|2 21η
|
| 100 |
1 |
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|a Iordanova, Dina
|4 aut
|9 111885
|
| 245 |
1 |
0 |
|a Cinema of flames
|b Balkan film, culture and the media
|c Dina Iordanova
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| 260 |
|
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|a London
|b British Film Institute
|c 2001
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| 300 |
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|a vi, 322 p.
|b ill.
|c 24 cm.
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| 500 |
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|a Includes filmography
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| 504 |
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|a Includes bibliography (p. [283]-299) and index
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| 505 |
0 |
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|a Machine generated contents note: Chapter 1: War in the Balkans - Moving Images -- Part 1 - Europe: Location or Destination? Narrative and History -- Chapter 2: Are the Balkans Admissible? The Discourse on Europe -- Chapter 3: Narrating the Balkans -- Chapter 4: Narrative and Putative History -- Part 2 - Commitments Amid Strife -- Chapter 5: Balkan Film and History: The Politics of Historical Collage -- Chapter 6: Kusturica's Underground: Historical Allegory or Propaganda? -- Chapter 7: Taking Sides -- Chapter 8: Violence: 'Violated Trust, Indoctrination, Self-Destruction -- Part 3 - People -- Chapter 9: Villains and Victims -- Chapter 10: Representing Women's Concerns -- Chapter 11: Gypsies: Looking at 'Them', Defining Oneself -- Part 4 - Spaces -- Chapter 12: Visions of Sarajevo: The World Comes to the Balkans -- Chapter 13: Migrating Mind and Expanding Universe: The Balkans Come to the World.
|
| 600 |
1 |
4 |
|a Kusturica, Emir,
|d 1954-
|9 111921
|
| 650 |
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4 |
|a Κινηματογράφος
|z Βαλκανική Χερσόνησος
|9 111922
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| 650 |
|
4 |
|a Κινηματογραφικές ταινίες
|x Μειονότητες
|z Βαλκανική Χερσόνησος
|9 111923
|
| 651 |
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4 |
|a Βαλκανική Χερσόνησος
|x Κινηματογράφος
|9 111924
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| 852 |
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|a GR-PaULI
|b ΠΑΤΡΑ
|b ΘΕΑΤΡΟΛΟΓΙΑ
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