Reading a Japanese film cinema in context

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: McDonald, Keiko I. (Συγγραφέας)
Μορφή: Βιβλίο
Γλώσσα:English
Έκδοση: Honolulu University of Hawaii Press c2006
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245 1 0 |a Reading a Japanese film  |b cinema in context  |c Keiko I. McDonald. 
260 |a Honolulu  |b University of Hawaii Press  |c c2006 
300 |a ix, 292 p.  |b ill.  |c 24 cm. 
504 |a Includes bibliographical references (p. 259-292) and index. 
505 0 |a Synergy of theme, style, and dialogue : Mizoguchi's Sisters of the Gion (1936) -- More about dream, song, and symbol : Kurosawa's The drunken angel (1948) -- A Meiji novel for the screen : Toyoda's The mistress (1954) -- Period film par excellence : Inagaki's samurai trilogy (Musashi Miyamoto, 1954-56) -- Master of simplicity moving hearts to pity : Ozu's Drifting weeds (1959) -- Eros, politics, and folk religion : Shindo's Onibaba (1963) -- The age-old paradox of innocence and experience : Oguri's Muddy river (1981) -- Satire on the family and education in postwar Japan : Morita's The family game (1983) -- Defeat revisited : Shinoda's MacArthur's children (1984) -- Satire on contemporary Japan : Itami's A taxing woman (1987) -- Seminal animation film : Miyazaki's My neighbor Totoro (1988) -- Cultural responses to simplicity : Kurosawa's Madadayo (1993) -- The danger and allure of phantom light : Koreeda's Mabaroshi (1995) -- Stressed-out nineties youth in laid-back sixties dress : Kitano's Kids return (1995) -- Bitter sweet childhood : Yoichi Higashi's Village of dreams (1996) -- A woman director's approach to the country family : Kawase's Suzaku (1997). 
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