Reading a Japanese film cinema in context
| Κύριος συγγραφέας: | |
|---|---|
| Μορφή: | Βιβλίο |
| Γλώσσα: | English |
| Έκδοση: |
Honolulu
University of Hawaii Press
c2006
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| Θέματα: |
Πίνακας περιεχομένων:
- Synergy of theme, style, and dialogue : Mizoguchi's Sisters of the Gion (1936)
- More about dream, song, and symbol : Kurosawa's The drunken angel (1948)
- A Meiji novel for the screen : Toyoda's The mistress (1954)
- Period film par excellence : Inagaki's samurai trilogy (Musashi Miyamoto, 1954-56)
- Master of simplicity moving hearts to pity : Ozu's Drifting weeds (1959)
- Eros, politics, and folk religion : Shindo's Onibaba (1963)
- The age-old paradox of innocence and experience : Oguri's Muddy river (1981)
- Satire on the family and education in postwar Japan : Morita's The family game (1983)
- Defeat revisited : Shinoda's MacArthur's children (1984)
- Satire on contemporary Japan : Itami's A taxing woman (1987)
- Seminal animation film : Miyazaki's My neighbor Totoro (1988)
- Cultural responses to simplicity : Kurosawa's Madadayo (1993)
- The danger and allure of phantom light : Koreeda's Mabaroshi (1995)
- Stressed-out nineties youth in laid-back sixties dress : Kitano's Kids return (1995)
- Bitter sweet childhood : Yoichi Higashi's Village of dreams (1996)
- A woman director's approach to the country family : Kawase's Suzaku (1997).
