Reenacting Shakespeare in the Shakespeare Aftermath The Intermedial Turn and Turn to Embodiment /

In the Shakespeare aftermath-where all things Shakespearean are available for reassembly and reenactment-experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices....

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Bibliographic Details
Main Author: Cartelli, Thomas (Author, http://id.loc.gov/vocabulary/relators/aut)
Corporate Author: SpringerLink (Online service)
Format: Electronic eBook
Language:English
Published: New York : Palgrave Macmillan US : Imprint: Palgrave Macmillan, 2019.
Edition:1st ed. 2019.
Series:Reproducing Shakespeare
Subjects:
Online Access:Full Text via HEAL-Link
Table of Contents:
  • Chapter 1: Reenacting Shakespeare in the Shakespeare Aftermath
  • Chapter 2: The Intermedial Turn & Turn to Embodiment
  • Chapter 3: Ghosts of History: Edward Bond's Lear & Bingo, Heiner Müller's Hamletmachine
  • Chapter 4: States of Exception: Remembering Shakespeare Differently in Anatomie Titus, Forget Hamlet & Haider
  • Chapter 5: Peter Greenaway's Montage of Attractions: Prospero's Books and the Paratextual Imagination
  • Chapter 6: Channeling the Ghosts: the Wooster Group's Remediation of the 1964 Electronovision Hamlet
  • Chapter 7: High Tech Shakespeare in a Mediatized Globe: Ivo van Hove's Roman Tragedies & the Problem of Spectatorship
  • Chapter 8: Disassembly, Meaning-Making & Montage in Annie Dorsen's A Piece of Work and Péter Lichter and Bori Máté's The Rub
  • Chapter 9: CODA: Mixed Reality: the Virtual Future & Return to Embodiment.