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02451nam a22005055i 4500 |
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978-1-137-46705-8 |
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160329s2016 xxu| s |||| 0|eng d |
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|a 9781137467058
|9 978-1-137-46705-8
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|a 10.1057/9781137467058
|2 doi
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|a BUS044000
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|a 338.5
|2 23
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|a Byun, Chong Hyun Christie.
|e author.
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|a The Economics of the Popular Music Industry
|h [electronic resource] /
|c by Chong Hyun Christie Byun.
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|a New York :
|b Palgrave Macmillan US :
|b Imprint: Palgrave Pivot,
|c 2016.
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|a VIII, 128 p.
|b online resource.
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|a text
|b txt
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|a computer
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|a text file
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|a This Palgrave Pivot uses modeling from microeconomic theory and industrial organization to demonstrate how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. An underlying theme in the project is the question of how the business of music affects creativity, and how artists continue to produce creative output in the face of business pressures, the erosion of copyright enforcement, and rampant online piracy. In addition to being a useful resource for economists interested in the music industry, this approachable Pivot is also ideal for business and music majors studying the effect of technology on their chosen fields.
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|a Arts.
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|a Music.
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|a Industries.
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|a Economic theory.
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|a Microeconomics.
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|a Industrial organization.
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|a Economics.
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|a Microeconomics.
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|a Industries.
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|a Music.
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|a Arts.
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|a Industrial Organization.
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|a Economic Theory/Quantitative Economics/Mathematical Methods.
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710 |
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|a SpringerLink (Online service)
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|t Springer eBooks
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|i Printed edition:
|z 9781349691623
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|u http://dx.doi.org/10.1057/9781137467058
|z Full Text via HEAL-Link
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|a ZDB-2-ECF
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|a Economics and Finance (Springer-41170)
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