Affective Moments in the Films of Martel, Carri, and Puenzo

• Κύριος συγγραφέας: Selimović, Inela (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
• Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
• Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan, 2018.
• Έκδοση: 1st ed. 2018.
• Θέματα: Motion pictures, American.; Motion pictures-Production and direction.; Women.; Ethnology-Latin America.; Culture.; Gender.; Latin American Cinema and TV.; Directing.; Women's Studies.; Latin American Culture.; Culture and Gender.

This book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimović argues, result in "affective moments" that relate to the films' core arguments...

Πίνακας περιεχομένων:

• 1. Introduction
• 2. Part I MINORS AND HOMEBOUND VIOLENCE - Retributive Affects in Albertina Carri's La rabia (2008)
• 3. Affective Otherness in Lucrecia Martel's La ciénaga (2001)
• 4. Lucía Puenzo's El niño pez (2009): Fluid Intimacies, Affective Dwelling
• 5. Part II REMEDIATIONS AND AFFECT - The Hypermediacy Appeal in Albertina Carri's Los rubios (2003)
• 6. Muted Gestures, Screaming Affects in Lucrecia Martel's La mujer sin cabeza (2008)
• 7. Ghostly Pasts and Contested Silence in Lucía Puenzo's Wakolda: El médico alemán (2013)
• 8. Part III BOLD BOREDOMS, LIBIDINOUS AFFECTS - Compulsory Boredom and Cerulean Desires in Lucía Puenzo's XXY (2007)
• 9. Albertina Carri's Géminis (2005): Leisurely Boredom, Incestuous Discontent
• 10. Lucrecia Martel's La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis
• 11. Conclusion. .