Women, Performance and the Material of Memory The Archival Tourist, 1780-1915 /

This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of ta...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Engel, Laura (Συγγραφέας, http://id.loc.gov/vocabulary/relators/aut)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan, 2019.
Έκδοση:1st ed. 2019.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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100 1 |a Engel, Laura.  |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Women, Performance and the Material of Memory  |h [electronic resource] :  |b The Archival Tourist, 1780-1915 /  |c by Laura Engel. 
250 |a 1st ed. 2019. 
264 1 |a London :  |b Palgrave Macmillan UK :  |b Imprint: Palgrave Macmillan,  |c 2019. 
300 |a XVI, 169 p. 24 illus., 12 illus. in color.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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347 |a text file  |b PDF  |2 rda 
505 0 |a 1. Introduction: The Archival Tourist -- 2. Elizabeth Inchbald's Pocket Diaries -- 3. Sir Thomas Lawrence's Portraits of the Siddons Sisters -- 4. The Countess of Blessington and Magic Lanterns -- 5. Women Artists, Silhouettes, and Waxworks -- 6. Amelia M. Watson's Photographs -- 7. Epilogue: The Sisi Experience. 
520 |a This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present. 
650 0 |a Literature-History and criticism. 
650 0 |a Social history. 
650 0 |a Sociology. 
650 0 |a Historiography. 
650 1 4 |a Literary History.  |0 http://scigraph.springernature.com/things/product-market-codes/813000 
650 2 4 |a Social History.  |0 http://scigraph.springernature.com/things/product-market-codes/724000 
650 2 4 |a Gender Studies.  |0 http://scigraph.springernature.com/things/product-market-codes/X35000 
650 2 4 |a Memory Studies.  |0 http://scigraph.springernature.com/things/product-market-codes/711010 
710 2 |a SpringerLink (Online service) 
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776 0 8 |i Printed edition:  |z 9781137589316 
776 0 8 |i Printed edition:  |z 9781349997954 
856 4 0 |u https://doi.org/10.1057/978-1-137-58932-3  |z Full Text via HEAL-Link 
912 |a ZDB-2-LCM 
950 |a Literature, Cultural and Media Studies (Springer-41173)