The Palgrave Handbook of Asian Cinema
This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing together original essays written by established and emerging scholars, this anthology transcends the limitations of national borders to do justice...
Συγγραφή απο Οργανισμό/Αρχή: | |
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Άλλοι συγγραφείς: | , , |
Μορφή: | Ηλεκτρονική πηγή Ηλ. βιβλίο |
Γλώσσα: | English |
Έκδοση: |
London :
Palgrave Macmillan UK : Imprint: Palgrave Macmillan,
2018.
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Έκδοση: | 1st ed. 2018. |
Θέματα: | |
Διαθέσιμο Online: | Full Text via HEAL-Link |
Πίνακας περιεχομένων:
- 1. Introduction: "Asia" and Asian Cinema, Aaron Han Joon Magnan-Park, Gina Marchetti, and Tan See-Kam
- Section I: Defining Asian Cinema in the 21st Century
- 2. The Desire for a Continental Poly-Asian Cinema Movement, Aaron Han Joon Magnan-Park
- 3. Cinema and Development: Towards an Ideological History of Asian Cinema as "World Cinema", Derek Lam
- 4. Theorizing Other Asian Cinemas: The Sensorium of Transcaucasia, Anne Ciecko
- 5. East Asia's Film Business, Ruby Cheung
- 6. Alibaba Goes to the Movies, Mark Gallagher
- 7. New Media/New Asia: Dominant and Residual Geographies of Emerging Media Arts, Stephanie DeBoer
- Section II: Locating the New Asian Cinema: Changing Aesthetics, Distribution Networks, and Global Connections
- 8. Locating Turkish Cinema: Traditional Eastern Aesthetics to Western Modernity, Murat Akser
- 9. The Asian Documentary Connections: From the Yamagata International Documentary Film Festival (YIDFF) to the Asian Network of Documentary (AND), Ma Ran
- 10. Small Asias Outside of Asia-Asian Film Festivals in Europe, Eija Niskanen
- 11. Distributing and Marketing Asian Cinema: Definitions from DVD Labels, Jonathan Wroot
- 12. Contemporary Japanese Viewership: Revisiting the Cinema, Jennifer Coates
- Section III: Asian History in the Making
- 13. Peace Before the Storm: Japanese Cinematographers and Their Asian Imagination in the 1920s-30s, Daisuke Miyao
- 14. Reframing Loss: Japanese Cinematic Melancholia in Inter-Asian Contexts , Earl Jackson, Jr.
- 15. Mao and Gandhi in the Fight Against Corruption: Popular Film and Social Change in China and India, Krista Van Fleit Hang
- 16. Colonial Censorship and the Cultural Politics of Chinese-language Cinemas in the Cold War, Kenny K. K. Ng
- 17. The Long Roads to Global Hollywood: Shaw Brothers, Golden Harvest and Dalian Wanda, Tan See-Kam
- Section IV: Remaking Asia and the Asian Diaspora-New Tales of an (Un) Common Past
- 18. Martial Arts Fantasies in a Globalized Age: Kung Fu Hustle and Kung Fu Panda, Jing Yang
- 19.Taipei and Tokyo: Turf Wars Over Identity, Yun Xia
- 20. Aspirationally Yours: Pan-Asian Cinematic Convergence, Staci Ford
- 21. Transnational Asian Cinema through the Lens of Cinephiles and Transmedia Fans, Wikanda Promkhuntong
- 22. Two "Asian" Stories in New Zealand Cinema, Elena Kolesova
- Section V: Questioning Asian Bodies
- 23. The Asian Wave: Three Asian Male Superstars in Hollywood, Valerie Soe
- 24. War Movies and Fractured Notions of Masculinity, Minoo Moallem
- 25. Reconfiguring Confucianism and Filial Piety in Contemporary Korean Cinema: Mother-son Bonding inMother and The Peter Pan Formula, Jason Ka-hang Ho
- 26. Unbecomings in East Asian Women's Cinema: Naomi Kawase, Yim Soon-rye, and Li Yu, Mila Zuo
- 27. Between Real and Unreal: Representability and Auteurship in Queer Hong Kong Cinema, Zoran Pecic
- 28. Exploring the Dolphy Bakla: Queerness in Philippine Cinema, Mikee Inton
- Section VI: Politics in Asian Film
- 29. Policies and Film Content in South Korea, Japan, and China: What Stories Do Their Films Tell?, Bruno Lovric
- 30. Recalibrating Modernity: East Asian Socially Engaged Documentary and the Evocation of Another World, Dan Edwards
- 31. For Some Dreams a Lifetime Is Not Enough: Popular Bombay Cinema and Its Anti-capitalist Time Consciousness, Jyotsna Kapur
- 32. Local Stories, Global Catastrophe: Reconstructing the Nation, Asian Cinema and Asian Eco-Consciousness in Japan's 3.11 Films, Winnie L. M. Yee and Kiu-wai Chu
- 33. Clara Law, Asia and World Cinema, Gina Marchetti. .