Draughtsmen, Botanists and Nature: The Construction of Eighteenth–Century Botanical Illustrations

This book is the first in-depth study of eighteenth-century botanical illustrations, and its findings offer a completely new insight into the working practices of the botanists and scientific draughtsmen of this period. The author describes the different production stages of these illustrations, tra...

Πλήρης περιγραφή

Λεπτομέρειες βιβλιογραφικής εγγραφής
Κύριος συγγραφέας: Nickelsen, Kärin (Συγγραφέας)
Συγγραφή απο Οργανισμό/Αρχή: SpringerLink (Online service)
Μορφή: Ηλεκτρονική πηγή Ηλ. βιβλίο
Γλώσσα:English
Έκδοση: Dordrecht : Springer Netherlands, 2006.
Θέματα:
Διαθέσιμο Online:Full Text via HEAL-Link
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100 1 |a Nickelsen, Kärin.  |e author. 
245 1 0 |a Draughtsmen, Botanists and Nature: The Construction of Eighteenth–Century Botanical Illustrations  |h [electronic resource] /  |c by Kärin Nickelsen. 
264 1 |a Dordrecht :  |b Springer Netherlands,  |c 2006. 
300 |a IX, 295 p.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
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347 |a text file  |b PDF  |2 rda 
505 0 |a The Making of Botanical Illustrations -- The Content of Botanical Illustrations -- The Role of Botanical Illustrations -- Visual Language -- Links with Tradition -- The Construction of Botanical Illustrations -- Methods and Materials. 
520 |a This book is the first in-depth study of eighteenth-century botanical illustrations, and its findings offer a completely new insight into the working practices of the botanists and scientific draughtsmen of this period. The author describes the different production stages of these illustrations, traces their uses by means of the private correspondence of participants and the documentation of the learned societies and academies, and explores their visual language, with particular emphasis placed on the difficult issue of colour. Finally, and for the first time, the author presents a convincing description of how these botanical illustrations developed, ascertaining the criteria that drove this process, which was arrived at through a careful study of the many copying links that the author discovered existed between images of the same species -- a sophisticated strategy that fulfilled the exacting requirements of eighteenth-century scientific botanical illustrations. 
650 0 |a Philosophy. 
650 0 |a Philosophy and science. 
650 1 4 |a Philosophy. 
650 2 4 |a Philosophy of Science. 
710 2 |a SpringerLink (Online service) 
773 0 |t Springer eBooks 
776 0 8 |i Printed edition:  |z 9781402048197 
856 4 0 |u http://dx.doi.org/10.1007/978-1-4020-4820-3  |z Full Text via HEAL-Link 
912 |a ZDB-2-SHU 
950 |a Humanities, Social Sciences and Law (Springer-11648)