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03794nam a22004815i 4500 |
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|a 9781402098628
|9 978-1-4020-9862-8
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|a 10.1007/978-1-4020-9862-8
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|a EDU029050
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|a 700.71
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|a Narrative Inquiry in Music Education
|h [electronic resource] :
|b Troubling Certainty /
|c edited by Margaret S. Barrett, Sandra L. Stauffer.
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|a Dordrecht :
|b Springer Netherlands,
|c 2009.
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|a VIII, 246 p.
|b online resource.
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|a text
|b txt
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|a I -- Narrative Inquiry: From Story to Method -- Narrative Inquiry in Music Education: Toward ResonantWork -- II -- Prelude: Framing and Re-framing the Narrative Possibilities for Music Education -- Storying the Musical Lifeworld: Illumination Through Narrative Case Study -- Challenges in Storying a Musical Lifeworld – A Commentary -- The Importance of Being Henry -- The Interview as Narrative – A Commentary -- Filtered Through the Lenses of Self: Experiences of Two Preservice Music Teachers -- Layering Analytic Lenses: Considerations for Assessing the Narrative Text in Music Education – A Commentary -- Learning from the Learners: A Cooperating Teacher’s Story -- Nora’s Story and the Mirror of Music Teacher Excellence – A Commentary -- “Everybody Should Be Heard; Everybody Has Got a Story to Tell, or a Song to Sing” -- Giving Voice to the Voiceless: Empowerment Through Music – A Commentary -- “G” -- Narrative Inquiry as Reflection on Pedagogy - A Commentary -- Stories from the Front -- Narrative Inquiry and Indelible Impressions – A Commentary -- III -- Troubling Certainty: Narrative Possibilities for Music Education -- Charting Narrative Territory -- Postlude.
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|a This text provides a forum for the presentation and discussion of narrative inquiry approaches to research in music education, and contextualizes this work within the larger conversations of music education research and practice. In an innovative dialogic approach the text is divided into 3 parts, each presenting a different perspective on the uses and purposes of narrative in and for music education. Section I explores the origins of narrative research across a range of fields of inquiry and presents a conception of narrative inquiry as "resonant work". Section II provides 7 examples of narrative inquiry research, each of which is accompanied by a reflective commentary. The commentaries provide an interpretive perspective of the narrative accounts, suggest further questions that arise from the inquiry, and provide insight into the potential uses of the narrative account for the theory and practice of music education. Section III brings together the perspectives of two eminent theorists and practitioners.
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|a Education.
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|a Art education.
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|a Teaching.
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|a Social sciences.
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|a Education.
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|a Arts Education.
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|a Methodology of the Social Sciences.
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|a Teaching and Teacher Education.
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|a Barrett, Margaret S.
|e editor.
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|a Stauffer, Sandra L.
|e editor.
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|a SpringerLink (Online service)
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|t Springer eBooks
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|i Printed edition:
|z 9781402098611
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|u http://dx.doi.org/10.1007/978-1-4020-9862-8
|z Full Text via HEAL-Link
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|a ZDB-2-SHU
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|a Humanities, Social Sciences and Law (Springer-11648)
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