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03028nam a22004095i 4500 |
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978-1-56898-657-9 |
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DE-He213 |
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20140518133024.0 |
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100301s2005 xxu| s |||| 0|eng d |
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|a 9781568986579
|9 978-1-56898-657-9
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|a 10.1007/1-56898-657-2
|2 doi
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|a NA1995
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|a ARC006000
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|a 720
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|a Ambroziak, Brian M.
|e author.
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|a Michael Graves
|h [electronic resource] :
|b Images of a Grand Tour /
|c by Brian M. Ambroziak.
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|a New York, NY :
|b Princeton Archit.Press,
|c 2005.
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|a XII, 257 p. 300 illus., 90 in color
|b online resource.
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|a text
|b txt
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|a computer
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|a Sir John Soane’s Grand Tour: Its Impact on His Architecture and His Collections -- The Necessity for Seeing -- Plates -- Rome -- Other Italian Locales -- Greece -- Turkey -- France -- Spain -- United Kingdom -- The Necessity for Drawing -- The Necessity for Drawing -- Graves’s Travels: Giants and Dwarfs -- Volume, Surface, and Plan.
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|a Michael Graves the extraordinary experience of two years at the American Academy in Rome in the early 1960 s transformed how I looked at the world around me. In that rich and marvelous city, I came to understand architecture as a continuum from antiquity to the present day, and thus as a language. I discovered new ways of seeing and analyzing both architecture and landscape. I also developed an urgent need to record what I saw and created hundreds of photographs and drawings. It has been a great joy to work with Brian Ambroziak on his ambitious project to publish many of them in this book, accompanied by his insightful commentary. I have always been fascinated by drawing. In fact, it was my ability to draw that led me to a career in architecture. Until I went to Rome, however, I had created dr- ings only in my studio, never in the street or landscape. While there, rather than searching for a single manner of drawing, I experimented with multiple methods that I thought might express the architecture. I made large, elaborate sepia and black ink washes of important baroque churches, 40 x 28 inches in size; quick notations in fine ink or crude pencil in a hand-sized notebook; and pencil sketches on a wonderful cream-colored clay-coated paper, with fluid lines that captured just the essence of a profile. No matter what media I chose, my drawings were always analytical.
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|a Architecture.
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|a Architects.
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|a Architecture / Design.
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|a Architects.
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|a SpringerLink (Online service)
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|t Springer eBooks
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|i Printed edition:
|z 9781568985299
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|u http://dx.doi.org/10.1007/1-56898-657-2
|z Full Text via HEAL-Link
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|a ZDB-2-ADE
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|a Architecture and Design (Springer-11641)
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